un Projects is based on the unceded sovereign land and waters of the Wurundjeri and Boon Wurrung people of the Kulin Nation; we pay our respects to their Elders past and present.
un Projects

David Capra and Amelia Winata

Editorial: Murmurs

Within this issue of , there are murmurs of leaving, disappearing from the art world with all its frustrations and fluctuating climate of competitiveness. Alex Cuffe tells us they are not an artist anymore, well ‘at least for now’, while Anastasia Klose draws comparisons between herself and Bridgette Bardot, both of whom retreated from their […]

Isabelle Sully

The anonymous donor: on Christopher D’Arcangelo via a curatorial problematic

Following his third arrest, Christopher D’Arcangelo’s father Allan D’Arcangelo, a prominent painter at the time, asked him, ‘Why are you going after the art institutions? You should be going after the banks. They’re the real criminals.’ With this preface in mind, it could be said that the two distinctly separate practices of Christopher D’Arcangelo, and […]

Nat and Allan Randall

I was worried about you and you were worried about me

I can never have a poker face. Anybody looking at me can tell exactly what I’m thinking. — Gena Rowlands In May 2016, I invited 100 men to participate in a short scene derived from a John Cassavetes film, Opening Night, as part of a 24-hour durational performance at Australian Centre for the Moving Image […]

Keren Ruki

The ozriginal creative native

Amelia Wallin

Looking at you looking at you: performance and its documents in the internet age

Blackmore and cinematographer Bonnie Elliott’s beautifully constructed visuals detail the exhaustive preparation, posing and filtering of each subject’s photos. Multiple methods of image production are at play here: the subjects take selfies that are interwoven into the production of the documentary shoot, and we are no longer sure of whose image is whose. The footage […]

Alex Cuffe

Uncanny Self

Robert Pulie

Pink Octagons Wednesday 25 August 2010

compiled from Google Images Robert Pulie is represented by The Commercial

Ivan Ruhle and Tom Melick

Writing for the kitchen

A painting must always contend with space and, because of this, it can also liberate and expand space. Sometimes with maximum effort and sometimes with almost no effort at all. A tile is a unit, a component of a whole. A whole is complete, subject to a parameter, an outline that demarcates where the whole […]

Sarah Goffman

Sixty-seven Women Artists (of more than two hundred who I know) 2015

watercolour on paper

John Spiteri

Inside out 2017

digital images courtesy the artist, Sarah Cottier, Sydney and Neon Parc, Melbourne

Keith Wong

un contributors page 2017

Digital Image

Eva Birch

An interview with Katherine Botten

I met Katherine in 2014 on Facebook and looked up all her work online. Later, I was over at my friend’s house where Katherine was recording Human Pesticide, a noise project with Brennan Olver. She was shouting in an American accent ‘Fuck the world. Set it on fire. Fuck the state and the system. Symphony […]

Tiarney Miekus

ART and art (where the first is Assisted Reproductive Technologies and the second follows from the first)

Recently, I was on the phone describing Heidi Holmes’s installation at West Space in September 2016. ‘It’s this incredibly great work’, I said. ‘Normally there are big windows along one half of West Space gallery, but Heidi has built a room that covers these windows, with only a small square of light peeking out — […]

Tim Gregory and Vaughan W. O’Connor

Working with the invisible hypervisual

This article was conceived in response to the authors’ mutual participation in The Selfie and Social Activism Symposium at the University of NSW in December 2016. The event explored self-representation and critical agency within a broad visual context. This piece traces some of the tangential links between seemingly disparate areas of research; of Tim’s paper […]

Marian Abboud and Vicki Van Hout

Kill me now! Kill me now! Kill me now! Conversations: Hong Kong to Sydney

Vicki Van Hout : Kill me now! Kill me now! Kill me now! I’m going to get done for saying… I’m going to get done for saying… I’m going to get done for saying… Kill me now! Marian Abboud : Stop saying that, say something catchy and intellectual, you’re going to get in trouble for saying […]

Laura Couttie

Dear Masato, all at once (get a life, the only thing that cuts across the species is death)

Gemma Weston

Desert Body Creep

Desert Body Creep Angela Goh Perth Institute of Contemporary Arts (PICA) 24–28 January 2017 She starts with a series of statuesque poses while a Willow Smith track plays: I left my consciousness in the 6th dimension. I wonder where the mind of a dancer goes as they run their body through a routine for the […]

Kate Britton

The Talk

Mish Grigor The Talk Performance Space 2–5 November 2016 My uncle first told my mother he was HIV positive in 1983, the same year I was born. For many in East Sydney in the early 1980s, diagnosis meant death. For my uncle, this did not come as quickly as for many, mercifully; he died of […]

Marian Abboud & Vicki Van Hout

I don’t have anything 2017

Marian Abboud is a Western Sydney-based artist working across disciplines, often collaborating with communities to create narrative driven works that challenges perceptions of identity and complex historical and cultural frameworks. Vicki Van Hout is a Wiradjuri woman born on the south coast of NSW and is an independent choreographer, performance-maker and teacher. I don’t have […]

Andrew Atchison

Standing by Tunnerminnerwait and Maulboyheenner 2017

Standing by Tunnerminnerwait and Maulboyheenner 2017 Brook Andrew and Trent Walter Corner of Victoria and Franklin Streets, Melbourne Sites of extreme violence have a way of slipping back into unremarkable anonymity with the passing of time. Associated structures are replaced, marks worn away, new surfaces laid over the original and, as witnesses pass away, these […]

Michael Dagostino

The Director’s Dance 2017

Michael Dagostino is the Director of Campbelltown Arts Centre and the inaugural Director of Parramatta Artists Studios. In these series of gifs Michael captures his weekly routines, obsessions and ‘the order to the way we walk, talk and cut through space’. Still images related to this piece feature in the print edition of un Magazine […]

Daniel Mudie Cunningham

Mental Olympics: in between breaths with Wart

A body lies hiding beneath a thick sheet of black plastic, the kind used by firemen to extinguish fire. Giving way to movement and form, the plastic becomes a percussive skin used to thrash out sound. A release of manic energy. Finding quiet in the rage. ‘I used that a lot to go into that […]

Melissa Deerson

Notes from underwater I 2017

Melissa Deerson works across various artforms, often exploring the interaction between society and the natural world. Notes from underwater draws from the research, notes and doodles that she made during an extended trip through Italy and Europe that resulted in the artwork Five minutes with a moray eel (2016). The companion piece to this work […]

Melissa Deerson

Notes from underwater II 2017

I recently went travelling to see a 13th century mosaic of Jonah being eaten by a whale (that bible story) in a church in Italy. I was away for nearly two months, visiting museums, galleries, churches, looking at medieval manuscripts, reading Moby Dick… mostly underwater themed, I guess. I was on a sea voyage. The […]