Diagram of Apocalyptic Thinking, 2017, typewriter on paper; Mother Superior, 2018, bag (2018) and neckpiece (2017) by Francis as gifts to Spaghetti. Photo: Alex Moulis; (When We Were) Working, 2017; Still Life with De-Positivism as Framework, 2018, jewellery (2017/18) by Francis for Spaghetti. Photo: Alex Moulis; Cultural Capital (2/2), 2017, typewriter on paper, photocopier; Cultural […]
Let’s get it on : My ‘straight’ (what even is ‘straight’? Who even is ‘straight’?) housemate made a bewildering comment on the way courting seems to work in my (queer art) world. ‘It’s very European. Very intellectual.’ I suppose you could see it as pretentious, or romantic, or pretentiously romantic, or romantically pretentious — exchanging […]
A new brain, a new way of thinking, a silicone mind fresh for moulding. Neural networks only know what they have been taught, a blank slate, a clean canvas. But they are so much more than just a surface or a new medium to explore; Artificial Intelligence (AI) is the future of art and offers […]
Marisa’s round table Annerley, Brisbane Amanda Hayman : This is the first time we’ve all been in the same room together, so I thought it would be good to start off with a little intro to the overarching project, Co-MMotion. Jenna Green : We established people+artist+place in 2017 because we wanted to see more live […]
I’ve been thinking a lot about how survival is often linked to collectivity, specifically for people of colour, specifically for myself as a trans person of colour who owes so much of my survival to the collectives I’ve belonged to and the communities that have held me. I often think about what it means to […]
Seddon cafe, Saturday morning. Red car parked nearby. Pure, unadulterated salt. Wild harvested in a collaboration of respect. A. Wurri : Decolonise your knowledge, decolonise your desire, decolonise your body, decolonise your fashion, decolonise your spice rack, decolonise your gut, decolonise your reading list, decolonise your seating arrangement, decolonise your watch, decolonise your pedagogy, decolonise […]
Whakapapa is generally translated as genealogy. Whakapapa can mean to lie flat, to place in layers, to recite in order; or considered in parts as ‘whaka’ – cause to be, to become; and ‘papa’ which can mean – the Earth, or anything broad flat and hard. In te reo Māori ‘papa’ has many meanings associated […]
Toponymic Interventions #1 (Gold Coast, place: Boykambil) 2013, still from Video Projection. Image courtesy of the Artist. Photo: Adric Watson
‘Did you know Barangaroo is named after a courageous and spirited Aboriginal woman?’ So says a section of the Barangaroo website titled ‘The Stories’, the question posed above an aerial image of a glass-walled building. Barangaroo is an urban redevelopment on the harbour of what is currently called Sydney; a place where the ‘past meets […]
A sunset over gentle oceans~ Bondi Beach Awakening Time-lapse shot of a waterfall~ Caressing Waters (alternatively Majestic Beauty, or, Waters of Life) The still course of a waterway,mirroring the bushland above~ River Reflections Uluru during a storm, at sunrise~ Heartland Revival People want peace in their lives and in their surroundings and nothing delivers as […]
We were trying to blast this myth that the non-Western Other exists in a time and place that is completely untouched by Western civilization or that in order to be authentic one would have to be devoid of characteristics associated with the West. It’s reasonable to say that non-Western cultures have a better understanding of […]
Beginning in March 2016, I undertook a two-year period of practice-led research as part of a Master of Fine Arts (MFA) research degree at Sydney College of the Arts. The origin of the research project lay in a self-reflexive inquiry into my attraction to working with steel and other metals in my art practice. Through […]
Our knowledge of land as its own technology is second to none. Two hundred and thirty years of adapting as necessary, often as lives depended on it, has seen us turn to other mediums. We used the tools that arrived on boats. Our storytellers use English in literature, cameras in photography, film and many other […]
Lately I’ve started driving around Tasmania again, making another film. Since 2009 I’ve made twenty-four of them, I can’t stop. Short, long, some seem unwatchable, nevertheless they record and become a record, a counter to so much that seems missing. They are my memory work. Sometimes it is hard to start, to reverse out of […]
Georgina Watson currently lives in Tāmaki Makaurau and has recently completed an MFA at Elam School of Fine Arts. Recent projects include ‘Haughty Skies’ in Distracted Reader #3, Auckland, forthcoming (2018), Anxious Garden, Enjoy Gallery, Wellington (2017), Pack Lite Organised by Stella Corkery, NY, LA, Auckland (2017) ‘Collective Fruits’ in Wormhole, Melbourne (2016), amongst others. […]
Lowlee: Can we just talk like now and you can record or…? Beth: Yeah yeah yeah OK I’m recording now Lowlee: Ye, kele. Beth: Ye, ka… Lowlee: Werte! Beth (laughs): Werte! Ayenge Arrernte akweke ware akaltye-irre….ke, no – how do I say it in the past tense? Lowlee: Ke Beth: ke, akaltye-irreke, akweke ware, ke […]
What you are about to read is a demonstration of Ara Irititja given at the International Australian Studies Association (InASA) Conference in December 2016.[^1] In the darkened lecture theatre, a clip from the Ara Irititja archive is projected onto the wall. It shows old people including Rene Kulitja’s father Walter Pukutiwara performing inma at a […]
In southeast Australia the Aboriginal population is young; more than fifty percent are under twenty-five-years old. Yet, Aboriginal young people in Victoria remain a minority within the broader community. Many have limited opportunities to engage in programs reflecting their everyday experiences or to identify with others from similar backgrounds. The following is a conversation between […]
Settlers Miners Same Thing – Jacky Green Although I know Aboriginal sovereignty as always present, embedded within country, I find my strongest encounters with specific sovereignties of place often occur in unexpected moments – like a bolt of remembering – chanced upon in the presence of a scar tree or a reference found deep within […]
OLD PEOPLE 2018; NEW PEOPLE 2018; DUE WEST 2018; RUN DEEP 2018; all digital images
Between the subjugation and indifference of colonial governance, Ngurungaeta, William Barak leads the Wurundjeri people in a sustained decolonising movement, seeking land-rights at Coranderrk. They petition ministers, writing letters and walking to Melbourne to protest directly to the Premier. is goes on in the face of dispossession. And, in 1881 there is a rupture in […]
I have long been concerned with memories of colonial violence in the Australian landscape; places that have witnessed harm and continue to hold these traumatic memories in the present. Their existence was something I was attuned to as a child constantly travelling regional New South Wales with my family, visiting places and people, connecting with […]