I’m not exactly sure why I was invited by the un Extended editor-in-residence to write on the topic of The Crank in relation to the state of art history in Australia. But it might help to shed some light on a brief exchange I had with another sometimes-art-writer/editor that had left me perplexed; after some […]
Nearly a century after the Russian Supremacists, the contemporary relevance of the monochrome painting is explored in a considered exhibition at Sutton Projects. David Homewood’s curatorial statement speaks of the complications with our traditional process in trying to make sense of a painting when considering the monochrome. Instead of focusing on whether we like the […]