Nearly a century after the Russian Supremacists, the contemporary relevance of the monochrome painting is explored in a considered exhibition at Sutton Projects. David Homewood’s curatorial statement speaks of the complications with our traditional process in trying to make sense of a painting when considering the monochrome. Instead of focusing on whether we like the […]

Joshua Petherick’s exhibition Cusp and Cornice at the Centre for Contemporary Photography (CCP) brought together two bodies of work, Gutters and Carriers. Both traverse ideas of the everyday, and evoke points of reference within art history such as the Dadaist’s adoration of the arbitrary, the concept of found objects and strategies of chance composition. Petherick […]