un 19.2 We Swear We Saw This.
ed. Azza Zein
2
We Swear We Saw This. Drawings about Notebooks and Notebooks about the Wor(l)ds, An Editorial Note and Ode to WitnessingAzza Zein
10
Autopsy of a Living LandMenna Agha
18
'If you dig down deep enough to the real bones there are no monuments': Bea Maddock’s Melbourne and TAURAI… but in the memory of timeHugh Magnus
30
What Does It Mean to Take Note of a Place? The Notebook as Map, Method and Refusal in ‘HOME 25 – Invisible Cities’Miriam La Rosa
46
An Unnerving Sense of RuptureGeorgia Mulholland
52
Artists Talking, or Posting in the Era of DoomscrollingLaura Luciana
58
Margins of Life: On Nahil Bishara's annotated praxisJoyce Joumaa
68
H.D.’s Scrapbook Toyah Webb
72
Process and Play: The Notebook as MasqueradeThomas Moran
80
A Life in TitlesTina Stefanou
94
On Euphausia superba (Lisa Roberts)Zara Sully
104
Bearing Witness to MarthaZoë Sadokierski
112
Where the Spine UncoilsMya Cole
120
On The Origins of Perforganisation, Wor(l)dbuilding, Intertexturality & ParasemicsMarcus McKenzie
138
Underlining or Snapping FingersSunny Lei
148
Witnessing — A Theology of NotebooksCarlos Eduardo Morreo
154
Libre‑tas Y TaquigrafíaMarcela Alejandra Gómez Escudero