Call out for un Extended: Editor-in-Residence
Read the full piece here.
Applications are due by 13 March at 8pm AEDT (Late or incomplete submissions may not be considered.)
un Projects is excited to announce that we are seeking two Editor-in-Residents for 2023 un Extended!
Working with our Editorial Manager each Editor-in-Residence will commission nine reviews, critiques, profiles, conversations and more by arts writers to be published on un Extended – un Project’s online publishing initiative. Each Editor-in-Residence will also facilitate, present or participate in an un Talk public program.
Our 2023 editor-in-residence program will be Victoria specific. The opportunity is intended to support early career arts writers, editors, artists or publishing enthusiasts to develop content that critically engages with exhibitions and events from the small-to-medium scale arts sector and a focus on important early career and underrepresented artists.
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un Magazine 16.2
un Magazine 16.2, A Collection of Annotated Bibliographies Vol. 2, edited by D. Harding and Hilary Thurlow
un Magazine 16.2 features contributions from Gabrielle Bergman, Trent Crawford & Stanton Cornish-Ward, Caitlin Franzmann & Amaara Raheem, Lou Garcia-Dolnik, Lewis Gittus, Yuki Kihara, Natalie King OAM, Ioana Gordon-Smith & Allan Haeweng, KINK, Thomas Solomon Kuiper, Liv Moriarty, Emily Mulvihill, Sarah Poulgrain, and Rasheeda Wilson.
un Extended
A body with many parts: An interview with Channon Goodwin of Composite
‘Looking towards the future, and now more so than ever, the moving image claims dominance within the institutional art circuit, having overtaken the still photographic image as the preeminent visual language of the times.’
un Projects’ Editor-in-Residence Program is supported by the City of Yarra.
Review: Becoming, Warsan Mohammed curated by Anna Emina El Samad.
‘Black Muslim women are at the intersection of multiple marginalised communities in Australia, facing a Western gaze that vilifies Islam, oppresses Black people and subjugates women. The safe spaces created by Black Muslim women, depicted by Warsan in Becoming, are an act of resistance to this Western worldview.’
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un Projects is based on the unceded sovereign land and waters of the Wurundjeri and Boon Wurrung people of the Kulin Nation; we pay our respects to their Elders, past, present and emerging.