Kenzee Patterson is a settler-colonial descendant whose art practice combines material experimentation with historical research, autobiography and language, motivated by the imperative to confront the ecological and socio-cultural repercussions of resource extraction and material displacement.

Kenzee Patterson is a settler-colonial descendant whose art practice combines material experimentation with historical research, autobiography and language, motivated by the imperative to confront the ecological and socio-cultural repercussions of resource extraction and material displacement.

Kenzee Patterson is a settler-colonial descendant whose art practice combines material experimentation with historical research, autobiography and language, motivated by the imperative to confront the ecological and socio-cultural repercussions of resource extraction and material displacement.

Beginning in March 2016, I undertook a two-year period of practice-led research as part of a Master of Fine Arts (MFA) research degree at Sydney College of the Arts. The origin of the research project lay in a self-reflexive inquiry into my attraction to working with steel and other metals in my art practice. Through […]