I meant to read all about Nietzsche in preparation for this editorial, but I didn’t have the time. Friedrich Nietzsche was a German philosopher who lost his mind in Turin, a city where I once spent a short, but very enjoyable, amount of time. Apparently, a coach driver was whipping a horse in Piazza Carignano […]
Hi Liang, Let’s make the most of this letter-as-trope-for-talking thing that we started. The irony of pitching an issue on work and unprofessionalism hasn’t been lost on us, especially considering that we ambitiously wanted more content, we wanted to know what others thought and if there was something actually to be said. This is why […]
Brad, If you recall, when Jennifer Allen wrote the article ‘Divine Disorder’, she reminded us of Kant’s distinction between the beautiful and the agreeable, between beautiful decoration and agreeable use and thus between art and design.[^1] As such, for a long time, perhaps there has been an uneasy divide between the two between what we […]
Following 5.1’s boundary-eliding focus on artist-writers, fictional art writing and art as writing, un Magazine 5.2 turns to the relationship between art and architecture as both built form and metaphor. ephemeral, provisional, temporal, relational spaces: In ‘Walking is not a medium, its an attitude’, Liang Luscombe brings together three local artists who use the simple […]
Artist-writers, art writing and art as writing … un Magazine 5.1 blurs the boundaries between these roles, mashing-up narratives both real and fake in current practice. Can fiction be critical? un Magazine commissioned writer Dr Jeanne Randolph to riff on her ficto-critical practice, to which she responded with a text that begins with a girdle, […]
When encouraged to consider an editorial direction for un 4.2, it seemed premature to impose any stricture or criterion upon the magazine’s content. Given that open access is fundamental to the organisation’s ethos, and that this rests upon sourcing contributions through an open-call for submissions, it seemed more appropriate to wait and allow the selected […]
Welcome to the new look un. It’s smaller, fatter and more colourful. While it feels like a journal, it’s still very much a proposal-based, critical arts publication — essentially we dumped the bathwater but kept the baby. un also has a new team, and so we welcome administrator Melody Ellis, sub editor Helen Hughes, and […]