Something like a laboratory, Hugo Blomley has litres of chemicals stacked in the corner of his studio. Two separate workbenches are covered with drills and hardware, screws and nails, discarded moulds, half-opened adhesives tubes and mislabelled plastic bottles. Another bench wraps around the perimeter of the space littered with scales, epoxy, bottles of acetone, a […]

I’m on the phone with the artist Edward Dean. He’s supposed to be in German class right now, but he’s ducked out early and is walking through the snow. He finds himself living in Berlin, by way of Lisbon, by way of Melbourne, originally from Albury, NSW. We’re catching up on the state of things, […]

Last November, a banana duct-taped to a wall sold for US $6.24 million. The piece, Comedian (2019) by Maurizio Cattelan, runs in a limited edition of three, the second of which having been sold for much more than its estimated value to Justin Sun, a collector and the founder of the cryptocurrency platform TRON.[1] Sun […]

The Listening to the Archive website is a collection of music performances, along with associated recordings, posters, and publications, from events held regularly at the Clifton Hill Community Music Centre (CHCMC) between 1976 and 1983. Also known as the Organ Factory—named after the community-run building that housed the centre—CHCMC became a space for experimentation in music, […]

Translation is like trying to hold the wind. You can feel it, but you can’t keep it. In a captivating conversation with Celine Skaf, a translator and interpreter, we delve into the emotional landscapes that emerge when art is transmitted across languages. Skaf shares her journey through film, poetry, and visual art, revealing how these forms shape her translation practice.

A pseudo-fictional review of Lovefool and AdminAdmin Issue #1 at Strawberry, 2024 1996: it was the summer before sixth grade. It was also the summer Jill Bates told my friend John she wanted to give him a handjob. None of us had gotten a handjob before and even less of us knew what it actually […]

When we founded the Melbourne Sculpture Biennale, I was inspired by the DIY culture in our artistic community and the rich history of artist-led projects, as well as a new wave of young art graduates who are starting various project spaces. There is this fertile ground in Melbourne right now. People seem to be taking on different kinds of projects and running with them. That, for me, was the catalyst as well as my personal interest in sculpture.

In 1974 Metro-Goldwyn-Mayer released That’s Entertainment! to celebrate the studio’s 50th anniversary which now, in 2024, marks its 100th year centenary. Perhaps to echo the film’s status as a proto-highlight reel anticipating a legacy, the exhibition of the same name at Animal House is a dedication to Yusi Zang, Tim Woodward, Beth Maslen, Chris Madden, […]

The Possibilities Are Immense: Fifty Years of the George Paton Gallery comes at a transitional moment for the University of Melbourne’s student gallery, also known as the GPG. In 2022, the GPG moved out of the decrepit old asbestos-riddled student union building and into the new student ‘precinct,’ a conglomerate of sinewy grey concrete, golden […]

Housed within Buxton Contemporary, The same crowd never gathers twice is an exhibition with a curious title. It initially provoked me to think of moments when I found myself situated within crowds, organised or not, such as the dinner table, the food court or a tram stop. And how fleeting the configurations of crowds are, […]

Travelling north on the 86 for the group exhibition Five rooms and house rules at Bundoora Homestead Arts Centre, I find myself playing a kind of phrase association to see how frequently I can think of different idiomatic uses of ‘house’ and ‘home’. For the most part, the ‘home’ sayings encircle the same kind of […]

Last month, GPU manufacturer NVIDIA’s share prices tumbled by nine-point-five per cent, representing the greatest loss in market value in one day for any company ever at a loss of 279 billion dollars 1. The GPU is the primary technology that powers AI, and harnessed en masse allows for inference to be conducted at industrial […]

In reflecting on the varied approaches to furniture engaged by artists, designers and architects, the cultural and social contribution of furniture is evident. However, architecture’s urge to respond and engage with the modern socio-political conditions has become more present.

In reflecting on the varied approaches to furniture engaged by artists, designers and architects, the cultural and social contribution of furniture is evident. However, architecture’s urge to respond and engage with the modern socio-political conditions has become more present.

In reflecting on the varied approaches to furniture engaged by artists, designers and architects, the cultural and social contribution of furniture is evident. However, architecture’s urge to respond and engage with the modern socio-political conditions has become more present.

For Magnetic Topographies, a social practice becomes a place-based practice becomes a compost made up of new friendships and knowledge. A practice that is playfully unassuming yet deeply anti-institutional: meet your friends, go for a walk, see what happens. 

Cache, Melbourne  Clara Joyce – Breathing and Chaos 6.4.24 – 7.4.24 I’d love you even more if you came with me. I was underway, underweight and emotionally charged entering the building. With bleached streaks and big pillows under your painting desk, I’ve followed you ever since you melted my legs, right in front of me […]

I felt completely unable to start this piece of writing. Even the slightest murmur could have salvaged my muted despair. But silence entombed me underneath this unceremonious mound of doubt, where I could only hear the hissing noise of total emptiness. Every sentence felt clunky, every thought irrelevant, every metaphor nonsensical. My world was blank […]

Dream Gallery, Pakenham  Hana Earles & Anabel Robinson 27.11.23 – 07.12.23 So I’m in Pakenham, in the middle of an empty office-turned-studio, in the middle of a field, perhaps too caffeinated, and staring at some art. Audrey chaperoned the four of us up from the city in her Subaru Forester accompanied by her dog, Ruby. […]

As we walk into the gallery, Kai tells me it’s Car Wash’s fifth birthday this year — a fact I find difficult to believe. Located in West Melbourne, the abandoned-car-wash-turned-gallery has been the site of countless self-organised exhibitions, gigs and parties, while somehow always evading the scrutiny of local council and building owners (if they […]

Hyacinth, MelbourneCarmen-Sibha Keiso and Emily HansonOctober 13 – 31, 2023 At Hyacinth, I am eyeing the cracked and conspicuously unlatched floor-to-ceiling windows that one could plausibly lean on and fall through, down six floors of the Nicholas Building to certain death – an unfortunately fitting image given the rental precarity of the gallery, as evinced […]

Bus Projects, MelbourneJames Ashley, Alex Bienstock, Bradford Kessler, Adam Lehrer, Emily Ličen, Charlie Robert, Samm Sutton, Chelsea YoungAugust 31 – September 23 My ancestors come from a country called Bohemia. Montmartre was its capital. Courbet, Lautrec, Krebber, Bacher were its heads of state. Nihilism, its imperious national anthem. One day in 2010 the clock tower […]

Fiona and Sidney Myer Gallery, Melbourne Gabriella D’Costa, Christina May Carey, Julien Comer-Kleine, Kate Wallace, and Skye Malu Baker Curated by David Sequeira and Hee Joon Youn 1 – 30 September, 2023 The bureaucrat has flown the cubicle, headed oceanside. Artist Gabriella D’Costa is in motion, departing Melbourne’s city grid on a pilgrimage for sediments […]

On the Jump In – Pepsi® Moments, 2017. Prologue to Soda Jerk’s Hello Dankness, 2022. In a Q&A after Soda Jerk’s screening of Hello Dankness (2022) at the Capitol Cinema for the Melbourne International Film Festival, filmmakers Dan and Dom Angeloro posed the rhetorical question: ‘Can there be satire after Kendall Jenner’s Pepsi®ad?’ Ultimately, Hello […]