un Projects is based on the unceded sovereign land and waters of the Wurundjeri and Boon Wurrung people of the Kulin Nation; we pay our respects to their Elders past and present.

un Projects

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un 13.1

We Got 'im
Hugh Childers and Bobuq Sayed

Desaparecido
Freya Rose

Whacked
Destiny Deacon

Carnage in the Eye of the Beholder: On Postmodernism and Nine Eleven
Holly Keys

Big Brother: Securitainment and the Racialised Logic of Suspicion
Gilbert Caluya

Beyond Human: Artists in Conversation
Hoda Afshar and Behrouz Boochani

His legacy to the colony; their ongoing privilege
Dale Harding

Notes on Bodies That Matter on The Beach
Natalie Ironfield and Nayuka Gorrie

Post Nine eleven
Nur Shkembi

On Material Speculation
Carol Que

Cruelty and the Theatre of Jihad
Bahar Sayed

Contact Sheet from Twins (2001)
Union Gaucha Productions with Jeff Preiss

Artefacts and Art of Fiction
Ceri Hann

What about all the very private moments like smiling at someone in Tower One, the red gum or the white plastic bag that one evening took my breath away?
Will Kollmorgen

To (Phase) Cancel the Cops: An Acoustic Science of Insurrection
Bridget Chappell

Decision 2000: What I Didn't Find in Africa
Zacry Spears

Normative Realities of Voiding Effects
Anabelle Lacroix

Aesthetics of Racism in the Editorial Cartoon
Safdar Ahmed

Two Twins
Ava Amedi

How to make an anti-terror bollard
Tim Marvin

Artefacts and the Art of Fiction
Ceri Hann

How to make an anti-terror bollard

by Tim Marvin

Artefacts and the Art of Fiction

Filed under Artist Page Tim Marvin