This title, “Editorial Feelings”, rips off the recently published Curatorial Feelings, a collection of texts by Eloise Sweetman and co-edited by Jo-ey Tang in 2021. Tang’s editorial introduction proposes that Sweetman calls ‘out her “curatorial feelings” juxtaposes and unites the two modes of engagement: as a curator and as a sentient being.’[^1] This sentiment produces […]
Artlaab was a University of Western Australia (UWA) School of Design student-run gallery in the Nedlands Masonic Hall. For many of us, Artlaab was the site of early experiments in curation, installation, studio practice and performance. As a past facilitator of Artlaab, I have written this essay to question how its institutional conditions led to […]