There’s a certain kind of art that insists too much on being art — polished, declared, and coded for legibility. Then there’s Lilly Skipper. Her work operates at a frequency too low for immediate classification, too dry for spectacle, and too structurally odd to be comfortably consumed. And yet, it lingers — not because it […]
This title, “Editorial Feelings”, rips off the recently published Curatorial Feelings, a collection of texts by Eloise Sweetman and co-edited by Jo-ey Tang in 2021. Tang’s editorial introduction proposes that Sweetman calls ‘out her “curatorial feelings” juxtaposes and unites the two modes of engagement: as a curator and as a sentient being.’[^1] This sentiment produces […]