Increasingly one might expect a person sensitive to our settler-colonial situation to acknowledge that we are occupying a space that rests and operates within multiple likely unceded territories. That this place has always been [insert place name] a network of intersecting Indigenous movements. If this acknowledgement is performed by one claiming Indigenous ancestry, one might […]
By the nineteenth century, the badaud — which translates to ‘bystander,’ ‘gawker’ or ‘gawper’ — was recognised as a ubiquitous modern social type.[1] According to the Grand dictionnaire universel du XIXe siècle (1867) ‘the badaud is curious; he is astonished by everything he sees; he believes everything he hears, and he shows his contentment or his surprise […]
In our previous editorial for Issue 17.1 we described the decision to explore the theme RESIST before this issue’s theme of RETURN as an instinctual decision. On reflection, this is not true. Our intent in choosing both words as prompts was to understand how they manifest in creative work. We see them everywhere: in material, […]
It is our intent that the themes for un Magazine 17.1 and 17.2,RESIST/RETURN, ultimately be understood together asinextricable gestures of negotiation with culture and artisticpractice. We see them as directional movements — to pushagainst, to pull or be pulled towards — each with a differentcentre of gravity, often in action simultaneously. In choosing to anchor […]
This title, “Editorial Feelings”, rips off the recently published Curatorial Feelings, a collection of texts by Eloise Sweetman and co-edited by Jo-ey Tang in 2021. Tang’s editorial introduction proposes that Sweetman calls ‘out her “curatorial feelings” juxtaposes and unites the two modes of engagement: as a curator and as a sentient being.’[^1] This sentiment produces […]
The initial thinking behind a collection of annotated bibliographies came about from the question: ‘What texts are colleagues interacting with during lockdowns and their time in isolation?’ From this came the question: ‘What texts are worth taking forward into a post-lockdown future?’ There was interest in looking around the different communities and roles in the […]
The initial thinking behind a collection of annotated bibliographies came about from the question: ‘What texts are colleagues interacting with during lockdowns and their time in isolation?’ From this came the question: ‘What texts are worth taking forward into a post-lockdown future?’ There was interest in looking around the different communities and roles in the […]