For Issey Miyake-clad curators the world over, 2017 has marked a unique alignment of the stars, a once-a-decade overlapping of Documenta in Kassel, The Venice Biennale and Münster Skulptur Projekte (SPM). While it is safe to say that Venice and Documenta were directed squarely at the art illuminati, SPM was as close to an antithesis […]

The relationship between society and image-production was explored in The Form That Accommodates The Mess, a program of four films curated by OtherFilm in collaboration with the Institute of Modern Art, Brisbane. Included were Robin Laurie and Margot Nash’s We Aim to Please (1976), Martha Rosler’s Semiotics of the Kitchen (1975), Dara Birnbaum’s Technology/Transformation: Wonder […]