un Projects is based on the unceded sovereign land and waters of the Wurundjeri and Boon Wurrung people of the Kulin Nation; we pay our respects to their Elders, past, present and emerging.
un Projects

Tag: QAGOMA

KINK

Texts for a queer art history

Kink is a cross-disciplinary working group researching and formalising a history of queer Australian art. Our work is defined by an interest in publishing, scholarship, advocacy, and public access. We are deeply passionate about generating new and open resources for and about the Australian LGBTQIA+ visual arts community. Below, each of our group’s current members […]

Caitlin Franzmann and Amaara Raheem

Fortunes of the Forest: Plant Readings

by Caitlin Franzmann and Amaara Raheem Caitlin and Amaara sit on the quartz sandstone ridges of Karawatha Forest surrounded by Eucalypts. Sinking into geological time, the folding rocks and plant fossils enfold their skin, their senses. The rocks tell of ancient floods and volcanic eruptions. Stories of connection to Country exist both in the landscape […]

Georgia Robenstone

How not to be seen

Choreographer Anouk van Dijk investigates the possibilities afforded by the blind spot in a piece titled Depth of Field, presented by Chunky Move, which took place in the ACCA forecourt over a series of evenings in March, 2015.[^9] Ostensibly, the performance consists of Chunky Move dancers James Vu Anh Pham, Tara Jade Samaya and Niharika […]

Ellen van Neerven

QAG GOMA: Contemporary Queensland Art Poems

acontented slave Can name six beaches where deeper riots started and haven’t finished his moral necessity synthetic polymer surfboards with a human debt when does a man cease to be a man standing up in the water the foam over print standing, making contact contact meaning death Wutan #2 mother on the other side of […]

Aodan Madden & Beth Rose Caird

The whore’s hustler and the hustler’s whore: A speculative review of Melbourne Now

I feel I’m in a beautiful private garden, in the middle of the city. I look up and see all the buildings and the beautiful sculptures. On Tuesdays, when the gallery is closed, it really does become our private space. It’s that sense of privacy in a public environment that I enjoy.[^1] —Isobel Crombie Throughout […]