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un Magazine 10.2

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Contents

1.
Editorial: The Throng
2.
Restaging the collective: a conversational review of Sharon Hayes’ In My Little Corner of the World, Anyone Would Love You and Alex Martinis Roe’s Our Future Network
3.
Trying to explain Hal Foster’s critique on the failure of minimalism to my brother with fishing line a blue Dior tie, a tree trunk, maroon felt, a yellow block of wood, and a Banksia Coccina whilst two boys are kissing on the news. F11, 1/90, Flash, B for brush… CMYK SWOP coated for editorial 2016
4.
Love and decolonisation in actu
5.
The goblet the jug and the rock were sitting on a ledge with a sign that said free, I took them to reflect on and use as material. I placed them next to a gold leaf maquette of the showers of Kens Karate Klub, yellow felt, and a foot form with a brown sock waiting to cradle the ultimate shoe. It wasn’t the twink who is a chubby chaser but the tall boy with the Errol Flynn moustache, who left these objects, he is nice, he took the time. F11, 1/90, Flash, B for brush… CMYK SWOP coated for editorial 2016
6.
The polyphony of polyphonies
7.
FEMMO™
8.
Interview with Amy Spiers and Catherine Ryan
9.
Graduate Research and Withdrawal 2015
10.
Charcoal, chalk and pencil
11.
Refuge/e
12.
Audience 22/1/15 2013–2016; Audience 2/2/15 2013–2016; Audience 1/6/15 2013–2016; Audience 13/7/15 2013–2016; Audience 4/11/15 2013–2016; Audience 27/11/15 2013–2016
13.
If you invested here: Sydney, SquatSpace and its Tour of Beauty
14.
Civil Wall c. 2011
15.
Mass action media: *Ende Gelände*, Break Free 2016
16.
Ununiun
17.
Export quality extended: an exchange with The Office of Culture & Design
18.
A brief history of Hue 2016
19.
A crowd of soccer players, a group of lawyers, a band of Malay Muslims
20.
Emile Zile: digital communion
21.
Jimmy Nuttall, GINA, and an erotics of loneliness
22.
Scene, and being seen at Day for Night
23.
‘Nods all around: orientations in recent spatial practice’ — a response
24.
Coq au vin presents Hard on the Heels of… — an ornithological examination of artistic collaboration in a globalised age
25.
Art holds a high place in my life / Damp: study of an artist at 21
26.
THE NUMBER YOU HAVE REACHED
27.
Anzac Centenary Print Portfolio
28.
Interview with Amy Spiers and Catherine Ryan, 2016 (full transcript)
29.
Export quality extended: an exchange with The Office of Culture & Design (full transcript)
30.
Dear Homophobia
31.
Responding to Mayday
32.
Refuge
33.
My Dad the People Smuggler

ISSN 1449-6747 (print)
ISSN 1449-955X (online)

© Copyright 2016 un Magazine and the authors, artists, designers, photographers and other contributors.

No part of this publication may be reproduced without permission from the editor and publisher. The opinions expressed in un Magazine are those of the contributing authors and not necessarily those of the editor or publisher.

Cover image:

Raafat Ishak, , 35 (detail) 2015, mixed media, image courtesy the artist and Sutton Gallery, Melbourne