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un Magazine 6.2

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Contents

1.
Are we in a cone of silence?: A letter between two artists, who are editors (for now)
2.
Teacher, Teacher, Teacher
3.
Game on Mole: Inter-class sexual practice and playing classical music to the African diaspora
4.
Materialism
5.
The Scaffolded Artist: Professionalisation in the supported studio
6.
Interview with Christopher L G Hill
7.
It seems like everyone knows everyone already so let’s get to work
8.
Immaterial Transformations
9.
Sketching: Bodies in motion
10.
Jean Rouch: Trance memory
11.
In Pursuit of Philanthropy
12.
Notes on Art Strikes, Part 1
13.
The Moskulls
14.
The Artist Doesn’t Get His Hands Dirty: Visible Solutions and other impossible histories
15.
The Future is Without You: Redefining Sarah Rodigari
16.
Maths, Flight and the Devil: Two exhibitions by Michael Stevenson
17.
The Work of Art in the Age of Neoliberal Acculturation: Reflections on a correspondence with Karmelo Bermejo
18.
What’s in a Name: Catherine or Kate; or Catherine Sagin; or Fiona Mail?
19.
John Nixon: Anti-whatever whatever
20.
Vivienne Binns: Art and Life
21.
Everything Falls Apart
22.
Tony Garifalakis & Tully Moore’s Denimism
23.
Pretty Air and Useful Things
24.
Parallel Universes: 1970–1985
25.
Jacob Ogden Smith’s Hovea Pottery Ale
26.
Louise Menzies’ Local Edition
27.
Crisis Complex
28.
Atlanta Eke’s Monster Body
29.
Michelle Sakaris’ Monument to the 8-Hour Day
30.
David M Thomas’ Party Disguised as Work or Work Disguised as a Party
31.
Jake Walker’s Paintings and Relief & Painting and Relief
32.
Steven Rendall’s Television Project
33.
Max Creasy’s Making Marks
34.
Kosuke Ikeda’s Melbourne Art-Power Plant
35.
Katherine Riley’s Panpsychic Household Solutions
36.
Uncommon Room

ISSN 1449-6747 (print)
ISSN 1449-955X (online)

© Copyright 2012 un Magazine and the authors, artists, designers, photographers and other contributors.

No part of this publication may be reproduced without permission from the editor and publisher. The opinions expressed in un Magazine are those of the contributing authors and not necessarily those of the editor or publisher.

Cover image:

Lane Cormick
Untitled 2012
sawdust, acrylic paint and ink on plywood
67.5 × 60 cm
Image credit: Craig Burgess
Courtesy Daine Singer, Melbourne