un Projects is based on the unceded sovereign land and waters of the Wurundjeri and Boon Wurrung people of the Kulin Nation; we pay our respects to their Elders, past, present and emerging.
un Projects

Tag: ACCA

Caitlin Franzmann and Amaara Raheem

Fortunes of the Forest: Plant Readings

by Caitlin Franzmann and Amaara Raheem Caitlin and Amaara sit on the quartz sandstone ridges of Karawatha Forest surrounded by Eucalypts. Sinking into geological time, the folding rocks and plant fossils enfold their skin, their senses. The rocks tell of ancient floods and volcanic eruptions. Stories of connection to Country exist both in the landscape […]

Gabrielle Bergman

When I Joined a Reading Group

by Gabrielle Bergman Earlier this year I joined an art theory reading group. In between work commitments, navigating a pregnancy, completing a second university degree and managing an interstate relocation, I was determined to find time to meet with a group of students to learn and engage in art discourse for the pure purpose of […]

Angela Glindemann

Neighbour

Artists: Amrita Hepi and Sam Lieblich Curators: Max Delany, Annika Kristensen and Miriam Kelly It’s another day in COVID-19 lockdown, one of those formless days filled with internet tabs. I arrive on the ACCA Open website looking for something to feel. I visit Neighbour. The chatbot greets me, asking if I might consider helping it […]

Fran Edmonds, Jessica Bennett and Lily Graham

‘Places’ of belonging: Korin Gamadji Institute, the Sovereignty exhibition and contemporary Aboriginal youth culture

In southeast Australia the Aboriginal population is young; more than fifty percent are under twenty-five-years old. Yet, Aboriginal young people in Victoria remain a minority within the broader community. Many have limited opportunities to engage in programs reflecting their everyday experiences or to identify with others from similar backgrounds. The following is a conversation between […]

Tristen Harwood

Becoming together: subject–object encounters

The ornate floral display of Drakaea confluens; the hammer orchid mimics the appearance of the female Thynnid wasp in an evocative display. When the male wasp observes this sensuous flower it tries to mate with the orchid and so transfers its pollen. With this intimate inter-species encounter the wasp and the orchid become entangled in […]

Anatol Pitt

Material co-existence: beyond materiality and agency

Kirsten Pieroth’s boiled and bottled copies of The New York Times, in her Conservation Piece (2010) in The Biography of Things, embody this material and relational perspective. The viewer is presented with a deconstructed language through physical reorganisation of the newspaper. Laid out like a school science experiment, the social and symbolic power of The […]

Georgia Robenstone

How not to be seen

Choreographer Anouk van Dijk investigates the possibilities afforded by the blind spot in a piece titled Depth of Field, presented by Chunky Move, which took place in the ACCA forecourt over a series of evenings in March, 2015.[^9] Ostensibly, the performance consists of Chunky Move dancers James Vu Anh Pham, Tara Jade Samaya and Niharika […]

Jesse Dyer

Une séance du cinéma

‘Didn’t the images and forms of modernism already have ruin, decay, and obsolescence written into them?’[^1] — Mark Lewis, Is Modernity our Antiquity? Daria Martin’s One of the Things that Makes Me Doubt is an ambiguous exhibition experience. The chattering of film projectors and the earthy soundtracks by Zeena Parkins resonate through the muddy acoustics […]

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