The fact is that MUMA exists as an institution, and they do put on shows. So the question is, what should be in the shows that they put on? I don’t think everyone should just stop making art and get into activism. But by the same token, no one should feel that enough has been […]
Kirsten Pieroth’s boiled and bottled copies of The New York Times, in her Conservation Piece (2010) in The Biography of Things, embody this material and relational perspective. The viewer is presented with a deconstructed language through physical reorganisation of the newspaper. Laid out like a school science experiment, the social and symbolic power of The […]