un Projects is based on the unceded sovereign land and waters of the Wurundjeri and Boon Wurrung people of the Kulin Nation; we pay our respects to their Elders, past, present and emerging.
un Projects

Tag: NGV

Stéphanie Kabanyana Kanyandekwe

Illusions on Self Motion: Moving Together

Prior to the most recent performance (or performative exchange) of Illusions of Self Motion at the National Gallery of Victoria in June 2018, Brook Andrew asked trawulwuy art historian Dr Greg Lehman, myself and current performance collaborator Ben Opie to discuss the connections between Illusions on Self Motion with Brook’s own work 52 Portraits and […]

Alistair Baldwin

Australian art is already funny — we just need to add a laugh track

But that’s work that I’m doing. And if taking art out of an art gallery is a necessary step for me to enjoy myself, then surely that speaks more to a problem with galleries than anything else? What can art spaces actively do to meet us halfway? Certainly, the proper curation of comedy is a […]

Jake Swinson

The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, The National Gallery of Victoria, Melbourne, 7 Oct 2014 – 8 Feb 2015

As the clock struck midnight, a Witch appeared in the National Gallery of Victoria out of a cloud of dense, black fog. It was 4am. Fumbling with its robes and black pointed hat, a bottle of Flintstone-shaped multi­vitamins tumbled from a concealed pocket onto the floor and scattered about the space. On all fours, Witch […]

Abbra Kotlarczyk

Re: Sweeping Exchanges: notes on the feminist body politic

The role that difference has played diachronically across various eras of feminist organisation presents us with this same ethos of contradiction. Where in the eighteenth century difference between the sexes was viewed as a limiting agency that sought to subordinate and control women’s aspirations, gendered difference became a liberating force for women of the nineteenth […]

Aodan Madden & Beth Rose Caird

The whore’s hustler and the hustler’s whore: A speculative review of Melbourne Now

I feel I’m in a beautiful private garden, in the middle of the city. I look up and see all the buildings and the beautiful sculptures. On Tuesdays, when the gallery is closed, it really does become our private space. It’s that sense of privacy in a public environment that I enjoy.[^1] —Isobel Crombie Throughout […]