We began this issue with questions. What does it mean to sit against something? What does it mean to create against something? What are we against? How do we make art against the world? Does anti necessarily inscribe a binary logic? Does ante necessarily inscribe a chronological one? We still have all these questions, but […]
un Magazine: Could you tell us a bit about your country? Fiona Foley: I was born on my Country, which is Maryborough. We have two tracks of land. We have six islands and one of those islands is Fraser Island, also known as K’gari — it’s the largest sand island in the world. On the […]
When we first talked about doing this issue together, care was thrown out as a theme early on. It stuck. It connected in multiple ways with our individual areas of research, practice, politics, and with our living. People had a lot to say. We were sending edits back and forth with writers when news of […]
Nanette Orly and Sebastian Henry-Jones are two Sydney based curators who are doing things differently. Their curatorial practices are collaborative and artist-led, and for them inclusion and diversity are not simply boxes ticked but entrenched ways of working. Theirs is a subtle and destabilising activism that models a better, more dialogical way of curating across […]
of old trees: stills from an unmade film, 2018.
We started thinking about different forms by which art makes an address to politics after a visitor commented on a perceived lack of political content in Australian art. As a local said of such opinions: ‘It’s like they think we don’t have e-flux here.’ So we tried to identify different manifestations of politics in some […]