Anticolonial Fireman Stripper Communes with (Wronged) Asterion in the Last Days of Fountains, 2019, acrylic (mis-tints) on poly-cotton (discarded quilt cover), 1400 × 2100 mm
Manspread, 2020, acrylic (mis-tints) on (discarded) board, 300 × 400 mm
Pasiphaë Poster, 2020, acrylic (mis-tints) on (discarded) Masonite, 1220 × 2440 mm
Sexualised Workers Mural (‘Real’ vs. Actual Work: Scott Cam vs. David Graeber), 2020, acrylic (mis-tints) on (discarded) board, 400 × 300 mm
Super Spreader, 2020, acrylic (mis-tints) on (discarded) board, 290 × 400 mm
There is No Art Market in Australia Because Money is so Easily Laundered Through Real Estate (Painting a Fake Art Film Set From Beverly Hills Cop), 2019, acrylic (mis-tints) on canvas pad, 420 × 250 mm