un Projects is based on the unceded sovereign land and waters of the Wurundjeri and Boon Wurrung people of the Kulin Nation; we pay our respects to their Elders past and present.

un Projects

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un 17.1

Editorial
Bahar Sayed and Gemma Weston

Memory is a dagger, 2022
Elyas Alavi

Conversations with artists
Timmah Ball

Trans women craft worlds we find home in: a conversation with Mossy 333
Aaqila

Posession, Separation, Homecoming: Resistance in the Work of Jasmine Togo-Brisby
Ane Tonga

The Weight of Expectation
Andy Butler

Death becomes us
Mayma Awaida

Illegal Dumping or Public Art: A HEAVY DUTY Critique on 'Public' Space
Heavy Duty

我們現在是對著鏡子觀看，模糊不清，到那時就要面對面了: The Unexceptional Otherness of a Second Language
Megan Tan

Ka whawhai tonu mātou (the struggle without end)
Hana Pera Aoake

vulnerable & volatile, 2016 / the stone throwers slingshot, 2018 / Dancing in the crevice of desire, 2018
Leila el Rayes

Many hands made light work
Rebecca Suares-Jury

A statement on the DISRUPT BURRUP HUB protest action at AGWA
Joana Partyka

A History of the Lang Family
Emily Morel and Amy May Stuart

Speculation is the Vehicle
Hannan Jones and Shamica Ruddock

Yesterday, a man pissed on the arts centre
Sam Elkin

101

Language Machine
Marguerite Carson

105

Artist-led Public Pedagogies: resistance and 'caretaking' in Concentric Curriculum
Marnie Badham, Kelly Hussey-Smith and Nina Mulhall

112

Dear Friend, 2021-ongoing
Olga Svyatova

118

Returning to Resistance Transmission: a conversation with Eliki Reade
Jack Mitchell

Memory is a dagger, 2022

by Elyas Alavi

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Conversations with artists

Timmah Ball

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Editorial

Bahar Sayed and Gemma Weston

Filed under Artist Page Elyas Alavi artist page cover installation poster