un Projects
is based on the unceded sovereign land and waters of the Wurundjeri and Boon Wurrung people of the Kulin Nation; we pay our respects to their Elders past and present.
un Projects
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un 17.1
Editorial
Bahar Sayed and Gemma Weston
Memory is a dagger, 2022
Elyas Alavi
11
Conversations with artists
Timmah Ball
19
Trans women craft worlds we find home in: a conversation with Mossy 333
Aaqila
25
Posession, Separation, Homecoming: Resistance in the Work of Jasmine Togo-Brisby
Ane Tonga
29
The Weight of Expectation
Andy Butler
34
Death becomes us
Mayma Awaida
38
Illegal Dumping or Public Art: A HEAVY DUTY Critique on 'Public' Space
Heavy Duty
44
我們現在是對著鏡子觀看,模糊不清,到那時就要面對面了: The Unexceptional Otherness of a Second Language
Megan Tan
55
Ka whawhai tonu mātou (the struggle without end)
Hana Pera Aoake
60
vulnerable & volatile, 2016 / the stone throwers slingshot, 2018 / Dancing in the crevice of desire, 2018
Leila el Rayes
68
Many hands made light work
Rebecca Suares-Jury
74
A statement on the DISRUPT BURRUP HUB protest action at AGWA
Joana Partyka
82
A History of the Lang Family
Emily Morel and Amy May Stuart
88
Speculation is the Vehicle
Hannan Jones and Shamica Ruddock
97
Yesterday, a man pissed on the arts centre
Sam Elkin
101
Language Machine
Marguerite Carson
105
Artist-led Public Pedagogies: resistance and 'caretaking' in Concentric Curriculum
Marnie Badham, Kelly Hussey-Smith and Nina Mulhall
112
Dear Friend, 2021-ongoing
Olga Svyatova
118
Returning to Resistance Transmission: a conversation with Eliki Reade
Jack Mitchell
vulnerable & volatile, 2016 / the stone throwers slingshot, 2018 / Dancing in the crevice of desire, 2018
by
Leila el Rayes
Read this piece in full in the print version of un Magazine 17.1 RESIST.
➭
Many hands made light work
Rebecca Suares-Jury
⤂
Ka whawhai tonu mātou (the struggle without end)
Hana Pera Aoake
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Leila el Rayes
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