Kink is a cross-disciplinary working group researching and formalising a history of queer Australian art. Our work is defined by an interest in publishing, scholarship, advocacy, and public access. We are deeply passionate about generating new and open resources for and about the Australian LGBTQIA+ visual arts community. Below, each of our group’s current members […]
Mutual debt, debt unpayable, debt unbounded, debt unconsolidated, debt to each other in a study group, to others in a nurses’ room, to others in a barber shop, to others in a squat, a dump, a woods, a bed, an embrace.— Fred Moten and Stefano Harney Today, a brief lull between lockdowns, is for writing. […]
ANTI/ANTE DANCER : (noun) A dancer who is preoccupied not with the expressive notion of dance, but with the possibilities, communities, kinships and images that emerge from the pursuit of pleasure and rigour through dancing. ‘AUTHENTICITY’ : (noun) A dilemma to be inspected, in dance as much as in handbags. The anti-dancer moves towards the […]
The Koorie Heritage Trust’s Affirmation exhibition brings together four multi-disciplinary Aboriginal artists – Paola Balla, Deane Gilson, Tashara Roberts and Pierra Sparks – whose photography practices author land kinship and interrogate the illegitimate truths of the federation.[^1] The exhibition initially came about as a contribution to the Photo2020 International Festival of Photography, which has been […]
Following the contours of my body an archive an assembly of history’s traces left in me. The impression is hazy ill defined. The act of tracing is precarious … Using what little is known the tools at my disposal a cloudy tongue the fuzzy logic of Google’s algorithm Gradually unearthing a picture my ancestor’s movements […]
Sea-brown ships glide on heavy warm air, rising to the top floor of SEVENTH Gallery. On second examination the ship-like qualities are replaced by an answer to a more vital need: thirst. The ship plays a cardinal role in the colonial saga and it seems fitting that such heroic propaganda is undermined by Indigenous craft […]
Alpine Bogs and Associated Fens is Amanda Williams’ first solo exhibition with Sydney gallery The Commercial. Its seven-work hang feels to be the culminating gesture of the artist’s recent commitment to hand-printed mural format gelatin silver photographs. Although these immense and antiquated processes are tremendously laborious, Williams achieves a graceful givenness – or perhaps a […]
I suspect the art world thinks I’m ugly — maybe. This is not about a lack of swipes on Tinder or an unreturned call, it’s something else. Well, I’m just going to say it: the thing is, there’s a local photographer that did not approach me at an impressionable age to pose on camera (the […]
On 14 February 2019, a suicide bomber drove an SUV packed with explosives into a Central Reserve Police Force (CRPF) convoy in the Pulwama district of Jammu and Kashmir, killing forty CRPF troopers in one of the deadliest attacks on India’s armed forces in the past three decades. The Pakistan-based militant group Jaish-e-Mohammed (JeM) took […]
I heard a story on the radio the other day about a man who had had a medical device, a pump, implanted under his skin. After some time the pump broke and began beeping to indicate its malfunction. The device was not removed and the man lived with the beep beep beep for years. I […]
In a context of extreme political turns, climate catastrophe and renewed militouristic exploitation of lands and waters first known in kinship by First Nations across the Great Ocean, a number of works presented in the 9th Asia Pacific Triennial of Contemporary Art (APT9) at the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) provide […]
Artists: John Akomfrah (Ghana/UK), Fernando Arias (Colombia), Regina José Galindo (Guatemala), Kiluanji Kia Henda (Angola), Runo Lagomarsino (Sweden/Brazil), Sarah Munro (Aotearoa, NZ), Otobong Nkanga (Nigeria/Belgium), Siliga David Setoga (Aotearoa, NZ), Jasmine Togo-Brisby (Australia/Aotearoa, NZ), Jian Jun Xi (China) Curator: Gabriela Salgado Under what conditions does the Global South become relevant? Originally conceived to replace and […]
SORRY FOR BEING GRUMPY Standing alone in Te Puno O Waiwhetū (Christchurch Art Gallery), I snapped this detail from Marie Shannon’s work and sent it somebody (text accompaniment: ‘NOW THAT’S WHAT I CALL: art’). It was meant to be a kind of witty apology – stealing someone else’s words to make light of the kind […]
of old trees: stills from an unmade film, 2018.
Talking over e-mail / making work alone but together, 2018.
Overlooking Botany Bay, 2018.
Diagram of Apocalyptic Thinking, 2017, typewriter on paper; Mother Superior, 2018, bag (2018) and neckpiece (2017) by Francis as gifts to Spaghetti. Photo: Alex Moulis; (When We Were) Working, 2017; Still Life with De-Positivism as Framework, 2018, jewellery (2017/18) by Francis for Spaghetti. Photo: Alex Moulis; Cultural Capital (2/2), 2017, typewriter on paper, photocopier; Cultural […]
The broad thematic parameters of labour, sex and the relationship between the two, place the group exhibition ‘Putting Out’ at Gavin Brown’s Enterprise in a position to explore how bodies are constituted and governed by sex-gender regimes under the constellation of late global capitalism. In ‘Putting Out’ this wide scope has resulted in an exhibition […]
A sunset over gentle oceans~ Bondi Beach Awakening Time-lapse shot of a waterfall~ Caressing Waters (alternatively Majestic Beauty, or, Waters of Life) The still course of a waterway,mirroring the bushland above~ River Reflections Uluru during a storm, at sunrise~ Heartland Revival People want peace in their lives and in their surroundings and nothing delivers as […]
OLD PEOPLE 2018; NEW PEOPLE 2018; DUE WEST 2018; RUN DEEP 2018; all digital images
Artist: Torbjørn Rødland. Years ago I encountered an image of a caged child online. A pair of jeans lay crumpled on the top of the cage, which was flanked by a discarded tube of moisturiser and a single yellow earplug. The sweet, shirtless boy peered out gleefully from his wire enclosure, his cherubic face illuminated […]
digital images courtesy the artist, Sarah Cottier, Sydney and Neon Parc, Melbourne
A companion piece to this article is available online as part of un Extended 11.1.