A shift towards advocating for full representation within the arts sector has encouraged an increase in programming across artist-run and institutional spaces that supports and prioritises culturally diverse artists. However, there is still a need to address the underrepresentation of curators from a variety of backgrounds employed within these cultural organisations. If the curator’s etymological […]
This essay narrates the direction of contemporary art practices in post-1998 Indonesia through a discussion about care, viability of artists’ projects — using Parasite Lottery, Gudskul and Serikat Sindikasi as case studies — and the sustainability of cultural ecosystems. It provides historical accounts of how these initiatives emerged in contemporary Indonesia, and the ways that […]
do you need some hope? a friend told me I need a taser. fear and violence. I felt no one would talk to me. having no one to share your achievements with everytime that you create a new world. I’m sorry I care about you. I’m afraid to ask for more of your time. I […]
To walk through the main roads, small alleys, places or neighbourhoods that a mass protest has touched is to negotiate tilted grounds. What used to be the flatness of the everyday — double-deckers’ squeaky engines, fences and traffic lights managing anonymous bodies, endless lines of advertisements — now acquires a different shape. Protest sites of […]
A woman in light blue jeans kneels over a sex doll. Its synthetic, rubbery legs are splayed across a bed as she casually probes its mouth with her fingers. A moment later she fields an enquiry on a cordless phone. ‘We usually go by appointments,’ she politely states in German, as she adjusts the doll’s […]
Unknown barely survived a massacre that decimated her people. Sometime around the mid-1800s, hidden beneath shrub, she watched as vicious intruders collected her clan’s lives, one by one, until no soul stood. As silence fell, she travelled through grass picking up her feet faster and faster, until she hit a heavy speed, fast enough to […]
We move together, with no body left behind —Sins Invalid When you’re non-disabled, a comfortable place to sit down is not something that you spend much time worrying about. You probably wouldn’t even think about it until you needed it and it wasn’t there. Living with my disabilities (which include arthritis), a place to sit […]
In Octavia Butler’s science-fiction novel Parable of the Sower a character remarks: ‘There has to be more that we can do, a better destiny that we can shape. Another place. Another way. Something!’[^1] This plea is rooted in a near-future dystopian Los Angeles, an irritating and disfigured city that has been destroyed by climate change […]
It is not kind to laugh at other people’s art. Seated on a grass lawn a few blocks away from Fringe Festival’s new home in Trades Hall, the three of us shared a moment of comedy thinking about the radical potentialities which might emerge as moustache twiddlers collide with staunch trade union militants. Connecting the […]
This will take a lot out of me. But it has to be said. My dyslexia is my third disability. I used to think I was lazy; my reading and writing could improve if only I applied myself. But I found it all so hard. Mum would say you need to learn to read because […]
This must be the taste of Language — the tongue mapped by many colours, parsed by the vowels of memory, the roof of the mouth the dome of a world circumscribed by consonants, whose edges suggest the sour-sweetness of oranges, the bittermelon’s green rind, the river- scent of mangoes all the way to the grove. […]
Everywhere animals disappear. In zoos they constitute the living monument to their own disappearance. —John Berger Compared to humans, other animals seem quite reasonable. —Claude Cahun As I write, Clare and her son Morten, or ‘Greenface Group’, are drawing a chicken watching a spider eating a cockroach; a war of magic between a lizard and […]
PREAMBLE This text is a treatment for an audio essay, a study in be-holding Sans II (1968), a sculptural work by Eva Hesse in the collection of the San Francisco Museum of Modern Art (SFMOMA). To be-hold, as I have written elsewhere, reclaims the etymological root of ‘beholding’, before the term’s co-option as ocular observance. […]
1. ‘How do we reconnect with the gestural origins of language?’ asks Jackie Wang. I wanted to write about the failure of language and I wanted to write about how the failure of language is an enduring matter of culture, an enduring matter of the project of poetics. The process of writing can be quite […]
Sea-brown ships glide on heavy warm air, rising to the top floor of SEVENTH Gallery. On second examination the ship-like qualities are replaced by an answer to a more vital need: thirst. The ship plays a cardinal role in the colonial saga and it seems fitting that such heroic propaganda is undermined by Indigenous craft […]
Alpine Bogs and Associated Fens is Amanda Williams’ first solo exhibition with Sydney gallery The Commercial. Its seven-work hang feels to be the culminating gesture of the artist’s recent commitment to hand-printed mural format gelatin silver photographs. Although these immense and antiquated processes are tremendously laborious, Williams achieves a graceful givenness – or perhaps a […]
Curated by: Cristana Napoleone and Emergence Magazine Featuring: Alisha Anderson, Hattie Malloy, Terrain Projects, Adam Loften and Emmanuel Vaughan-Lee. Nestled amongst the industrial buildings of Fitzroy, Melbourne, lies Trees, a multisensory exhibition focused on the way humans interact with the natural environment. The exhibition provides a welcomed respite from the concreted environs it exists within […]
Curated by: Laura CouttieArtist: Shannon Lyons At first, it’s easy to completely miss Shannon Lyons’ Dark Kitchen installation in Heide Museum of Modern Art’s project space. So streamlined is the constructed wall with the gallery, that I almost strolled right on past. The tell-tale sign is the doorways hung with coloured plastic strips, a nod […]
The images above are taken from three soapboxes that form the work meditations on muwinina country and are designed to be read as a ‘family’. This concept takes that literally, using the creative and conceptual writing of trawlwoolway family members: A. Wurri and Lauren Gower. The series is a new iteration of an ongoing writing […]
The previous issue of un Magazine observed the reinforcement of external borders following Nine Eleven. Here, our attention turns towards the collapsing logics of internal categories and departmental demarcations. We trace this line of enquiry within the context of The University of Melbourne and the introduction of ‘The Melbourne Model.’ We’re working with the understanding […]
This document addresses the relationship between Australian Indigenous Studies (AIS) andThe University of Melbourne. The way The University of Melbourne exerts power over marginalised communities, and their epistemologies, will be familiar to anyone who has gone through similar treatment in the academy. It is exerted through physical and disciplinary fragmentation of offices and departments, through […]
Samoa House Library was created in response to The University of Auckland’s decision to close three specialist libraries: Fine Arts, Music and Dance, Architecture and Urban Planning. As members of ‘Save the Fine Arts Library’ campaign, we organised to raise public awareness of the decision and to halt the closures. While our campaign was successful […]
Whenever we establish our spaces, specifically for us, those spaces are inherently seen as threats.[^1] Joseph Cullier, cofounder of The Black School In his address to the 2018 Distinguished Alumni Awards Dinner for the University of Auckland, Fijian Pākehā artist Luke Willis Thompson described receiving his first undergraduate scholarship as ‘a moment of mobility … […]
The Debris Facility Pty Ltd is aqueer corporate entity enacting parasitism through im material projects ofadministration, installation, performance, video, wearables, text and dis/embodiment among other activities. Utilising non-binary approaches, they disrupt linear systems of exchange, scales of agency and visual and speculative economies.