Talking over e-mail / making work alone but together, 2018.

Overlooking Botany Bay, 2018.

Diagram of Apocalyptic Thinking, 2017, typewriter on paper; Mother Superior, 2018, bag (2018) and neckpiece (2017) by Francis as gifts to Spaghetti. Photo: Alex Moulis; (When We Were) Working, 2017; Still Life with De-Positivism as Framework, 2018, jewellery (2017/18) by Francis for Spaghetti. Photo: Alex Moulis; Cultural Capital (2/2), 2017, typewriter on paper, photocopier; Cultural […]

Toponymic Interventions #1 (Gold Coast, place: Boykambil) 2013, still from Video Projection. Image courtesy of the Artist. Photo: Adric Watson

OLD PEOPLE 2018; NEW PEOPLE 2018; DUE WEST 2018; RUN DEEP 2018; all digital images

Through natural dyeing techniques, text- based scores, social practice and installation my work considers the practising of custodial ethics within still colonised and ecologically compromised contexts. The Decolonist Flags came about through imagining an Australian national identity underpinned by First Nations knowledges. Comprised of dyed thread, gum leaves and blossoms Decolonist Flag I is created […]

REPLETION; A SUM, 2017; LATE DINING, 2017

Throwing The Artist Out 2016 digital print Selection from a series of 50 Courtesy the artist & Anna Schwartz Gallery and Chalk Horse

Archie’s Puzzling Pages, 2017 digital images Courtesy the artist & The Commercial Gallery

on 2000 (clothing); untitled (Hana and looks), digital collage; untitled (professional poker players, mother of pearl violin brooch), digital collage; untitled (mother’s handmade hair clip, flowers, pink, green), digital photograph; untitled (mustard torture, magazine), synthetic felt and magazine pages; all 2017

Rise and Fall (I, II, III) 2017 Courtesy the artist & Milani Gallery

Puffing Billy 2016; Hospitality 2017; Sale Chocolate 2017; Cat 2016; Iphone 7 ad 2017; Nail gun and Dad 2017; Lauren 2016; Volcano 2016; all digital images

Order Your Pair Of Secret Reveal Decoder Glasses To Discover The True Meaning Of Art Today!2017Courtesy the artist

compiled from Google Images Robert Pulie is represented by The Commercial

watercolour on paper

digital images courtesy the artist, Sarah Cottier, Sydney and Neon Parc, Melbourne

Digital Image

A companion piece to this article is available online as part of un Extended 11.1.

Photographs

Mashara Wachjudy is a Sydney-based emerging artist currently undertaking a Bachelor of Fine Arts and a Bachelor of Arts at UNSW/Art & Design. Wachjudy’s work attempts to focus predominantly on the intricacies of cultural identity and belonging through the complex and interwoven relationships between place, time and culture. Wachjudy’s debut solo exhibition, Outside Inside, was […]