This article was conceived in response to the authors’ mutual participation in The Selfie and Social Activism Symposium at the University of NSW in December 2016. The event explored self-representation and critical agency within a broad visual context. This piece traces some of the tangential links between seemingly disparate areas of research; of Tim’s paper […]

Vicki Van Hout : Kill me now! Kill me now! Kill me now! I’m going to get done for saying… I’m going to get done for saying… I’m going to get done for saying… Kill me now! Marian Abboud : Stop saying that, say something catchy and intellectual, you’re going to get in trouble for saying […]

A companion piece to this article is available online as part of un Extended 11.1.

At the heart of the increasingly gentrified East Brunswick sits the artist-run gallery Punk Café, a name that makes a considered link between punk and the Australian middle class — exemplified by ‘café culture’. Like many of its contemporaries employing the language and aesthetic of punk antiestablishmentarianism, such as Info-Punkt (GE), Punk Café features a […]

Within this issue of , there are murmurs of leaving, disappearing from the art world with all its frustrations and fluctuating climate of competitiveness. Alex Cuffe tells us they are not an artist anymore, well ‘at least for now’, while Anastasia Klose draws comparisons between herself and Bridgette Bardot, both of whom retreated from their […]

Desert Body Creep Angela Goh Perth Institute of Contemporary Arts (PICA) 24–28 January 2017 She starts with a series of statuesque poses while a Willow Smith track plays: I left my consciousness in the 6th dimension. I wonder where the mind of a dancer goes as they run their body through a routine for the […]

Photographs

Following his third arrest, Christopher D’Arcangelo’s father Allan D’Arcangelo, a prominent painter at the time, asked him, ‘Why are you going after the art institutions? You should be going after the banks. They’re the real criminals.’ With this preface in mind, it could be said that the two distinctly separate practices of Christopher D’Arcangelo, and […]

Mish Grigor The Talk Performance Space 2–5 November 2016 My uncle first told my mother he was HIV positive in 1983, the same year I was born. For many in East Sydney in the early 1980s, diagnosis meant death. For my uncle, this did not come as quickly as for many, mercifully; he died of […]

I can never have a poker face. Anybody looking at me can tell exactly what I’m thinking. — Gena Rowlands In May 2016, I invited 100 men to participate in a short scene derived from a John Cassavetes film, Opening Night, as part of a 24-hour durational performance at Australian Centre for the Moving Image […]

Marian Abboud is a Western Sydney-based artist working across disciplines, often collaborating with communities to create narrative driven works that challenges perceptions of identity and complex historical and cultural frameworks. Vicki Van Hout is a Wiradjuri woman born on the south coast of NSW and is an independent choreographer, performance-maker and teacher. I don’t have […]

Standing by Tunnerminnerwait and Maulboyheenner 2017 Brook Andrew and Trent Walter Corner of Victoria and Franklin Streets, Melbourne Sites of extreme violence have a way of slipping back into unremarkable anonymity with the passing of time. Associated structures are replaced, marks worn away, new surfaces laid over the original and, as witnesses pass away, these […]

Blackmore and cinematographer Bonnie Elliott’s beautifully constructed visuals detail the exhaustive preparation, posing and filtering of each subject’s photos. Multiple methods of image production are at play here: the subjects take selfies that are interwoven into the production of the documentary shoot, and we are no longer sure of whose image is whose. The footage […]

Michael Dagostino is the Director of Campbelltown Arts Centre and the inaugural Director of Parramatta Artists Studios. In these series of gifs Michael captures his weekly routines, obsessions and ‘the order to the way we walk, talk and cut through space’. Still images related to this piece feature in the print edition of un Magazine […]

A body lies hiding beneath a thick sheet of black plastic, the kind used by firemen to extinguish fire. Giving way to movement and form, the plastic becomes a percussive skin used to thrash out sound. A release of manic energy. Finding quiet in the rage. ‘I used that a lot to go into that […]

compiled from Google Images Robert Pulie is represented by The Commercial

Melissa Deerson works across various artforms, often exploring the interaction between society and the natural world. Notes from underwater draws from the research, notes and doodles that she made during an extended trip through Italy and Europe that resulted in the artwork Five minutes with a moray eel (2016). The companion piece to this work […]

A painting must always contend with space and, because of this, it can also liberate and expand space. Sometimes with maximum effort and sometimes with almost no effort at all. A tile is a unit, a component of a whole. A whole is complete, subject to a parameter, an outline that demarcates where the whole […]

I recently went travelling to see a 13th century mosaic of Jonah being eaten by a whale (that bible story) in a church in Italy. I was away for nearly two months, visiting museums, galleries, churches, looking at medieval manuscripts, reading Moby Dick… mostly underwater themed, I guess. I was on a sea voyage. The […]