A speculation on speculation, this nonlinear conversation addresses processes of working. It allows for a thematic meander that we hope you can join us on, one perhaps for all the tangential thinkers … Previously, we have moved through moments in sound guided by Assia Djebar’s words on ‘Aphasia,’ ‘Murmur,’ ‘Voice,’ ‘Clamour’ and ‘Whisper’ in Fantasia: […]

Lucreccia Quintanilla is an artist, writer, DJ and researcher gratefully living and working on the unceded lands of the Boon Wurrung and Woiwurrung (Wurundjeri) peoples of the Kulin Nation. Her practice is both an individual and collaborative one which manifests into outcomes within galleries and also as events and performances outside of that context. Her […]

Artist: Archie Barry Curators: Max Delany, Annika Kristensen and Miriam Kelly I try to participate in Archie Barry’s new art on the internet. I open the browser to Multiply and press play, bow the laptop with its residual slime, symposiums, ‘catch-ups’ and wash my hands. I’ve racked them up, reams of micro-films and they touch, […]

ANTI/ANTE DANCER : (noun) A dancer who is preoccupied not with the expressive notion of dance, but with the possibilities, communities, kinships and images that emerge from the pursuit of pleasure and rigour through dancing. ‘AUTHENTICITY’ : (noun) A dilemma to be inspected, in dance as much as in handbags. The anti-dancer moves towards the […]

Curated by: Cristana Napoleone and Emergence Magazine Featuring: Alisha Anderson, Hattie Malloy, Terrain Projects, Adam Loften and Emmanuel Vaughan-Lee. Nestled amongst the industrial buildings of Fitzroy, Melbourne, lies Trees, a multisensory exhibition focused on the way humans interact with the natural environment. The exhibition provides a welcomed respite from the concreted environs it exists within […]

This is the second of a two-part conversation series between Sophie Rose and Utility, an ongoing collaboration between sound artists Austin Buckett and Thomas Smith. You can read the first part here. Describing the project as a shared fascination with the ‘existing constellation of fake and real sounds’, Smith and Buckett draw from the seemingly-infinite […]

In the first of a two-part series, Sophie Rose chats with Utility, an ongoing collaboration between sound artists Austin Buckett and Thomas Smith. Describing the project as a shared fascination with the ‘existing constellation of fake and real sounds’, Smith and Buckett draw from the seemingly-infinite library of presets in electronic music production. Situated somewhere […]

Artists: Hans Baldung Grien, Monika Behrens and Rochelle Haley, Naomi Blacklock, Eric Bridgeman, Giovanni Bendetto Castiglione, Albrecht Dürer, Mikala Dwyer, Emily Hunt, Clare Milledge, Judith Wright Witchcraft is in. From Lorde to YouTube sage-burning tutorials, Wicca and ritual have found a new home in contemporary culture, especially within online communities. Five decades ago, second-wave feminist […]

Artists: Emily Parsons-Lord X Laure Prouvost Sense is something universally experienced and yet so intimately felt it’s often impossible to describe. To touch skin, taste fresh fruit, hear a whisper vibrate in your ear, to see and smell the threatening beauty of billowing smoke is at once familiar and transformative. It is through our perpetually […]

Curators: Joel Stern (Liquid Architecture) and Dr James Parker (Melbourne Law School) Exhibiting artists: Lawrence Abu Hamdan; Samson Young; Susan Schup­pli; Athana­sius Kircher; Fayen d’Evie and Jen Bervin with Bryan Phillips and Andy Slater; Joel Spring; Manus Record­ing Project Col­lec­tive: Samad Abdul, Farhad Ban­desh, Behrouz Boochani, André Dao, Michael Green, Shamin­dan Kana­padhi, Abdul Aziz Muhamat, […]

Félicia Atkinson is a visual artist, an experimental musician and the co-publisher of the independent imprint Shelter Press and curatorial platform Argument with Bartolomé Sanson. Her works explores improvisation, fiction, instant composition, noise, abstraction and poetry. Born 1981 in Paris, Félicia graduated with Honors from l’Ecole Nationale Supérieure des Beaux-Arts de Paris. Her paintings, drawings, […]

Artist: Nástio Mosquito We sit in the middle of the front row to watch the thundering that was Nástio Mosquito’s Respectable Thief in late July as part of Season 2 (2017) at the Arts House in the North Melbourne Town Hall. A large shadow appears from behind a screen wall, singing an acapella gospel song. […]

Matthew P. Hopkins is a Sydney based artist working with sound, painting, drawing, objects, video, and text based work. An ongoing interest for Hopkins is how sound, particularly processed voice, might be seen as grotesque and liminal in nature, and in turn how this sound can function as an axis point which connects the optical […]

In Art and Ventriloquism, David Goldblatt examines the complex back and forth that occurs between artist, artwork, and audience as a mode of exchange akin to the way in which a ventriloquist animates their dummy. Goldblatt draws many comparisons between ventriloquism and art-making in terms of how they both facilitate a unique mode of speaking […]

Tiarney Miekus is a writer, broadcaster and musician who holds First Class Honours in English Literature from the University of Melbourne. Responding to Mayday is an audio piece which sonically expands on Tiarney’s discussion of the event Polyphonic Social, held at Abbotsford Convent earlier this, which appears in the print edition of un Magazine 10.2.

The deep clap of bronze against bronze reverberates over a stretch of space. Areas can be observed to stir, inhabitants rustled by the tongue’s shudder cast through the air. Even if this movement is not perceived aurally, it registers as an attunement of bodies. The narrator makes a low, thick noise — indecipherable. Morning time. […]

Saskia Doherty is an early career visual artist and writer based in Melbourne, working across drawing, printmedia, sculpture, ceramics, bookmaking, photography, video, sound, performance, text and poetry. Presented here is an audio artwork based on Saskia’s artist pages in this magazine, The deep clap of bronze against bronze reverberates over a stretch of space.

Tom Ellard is a ‘musician’—a term he describes as ‘an old descriptor for a sound/video/interactive artist’. While it is hard to establish all aspects of his work briefly, Ellard is best known as founding member of electronic and industrial band Severed Heads (officially active from 1979 to 2008). For those wondering, think tape loops, discordant […]

Mentioned in the same breath as anyone from Christian Marclay to David Shea and Grandmaster Flash, British avant-garde turntablist Philip Jeck has built an oeuvre via the act of pillaging, appropriating and manipulating a record collection that traverses a vast span of music history. But Jeck’s approach to records—and the devices he uses to extract […]

In some cases, the failure of a work of art can be traced back to inconsistencies between content and form; however, as we see in Matthew Greaves’s exhibition MF at West Space, failing to be coherent in this sense can also be seen as a strategy, if not the actual point. In the exhibition Greaves […]