We’re already here, moving. We’ve been around. We’re more than politics, more than settled, more than democratic. We surround democracy’s false image in order to unsettle it. Every time it tries to enclose us in a decision, we’re undecided. Every time it tries to represent our will, we’re unwilling. Every time it tries to take […]
Serene Velocity in Practice: MC510/ CS183* (2017-19) imagines two classrooms, each based on a real course taught by adjunct lecturers in United States’ tertiary education institutions. Evangelical pastor John Wimber taught ‘MC510: Signs and Wonders’ in the School of World Mission and Church Growth at Fuller Theological Seminary between 1982 and 1986. Silicon Valley entrepreneur […]
The following text is developed from a body of research originally produced as part of The Combative Phase, an exhibition of films and documents and a series of programs held at Yale Union (Portland, US) in 2017. Left to themselves, large communities do a dreadful job of communicating internally. Ghettoes, whether in Bel Air or […]
The words below form multiple threads of preliminary thoughts shared between Joel Sherwood-Spring and Carol Que from December 2018 to August 2019. Both young academics tenuously located between the institution and their creative and political work ‘outside’, the conversation here spans lands, architectures, gentrification, and education. Joel’s words are indented and Carol’s are left aligned.[^1] […]
Artlaab was a University of Western Australia (UWA) School of Design student-run gallery in the Nedlands Masonic Hall. For many of us, Artlaab was the site of early experiments in curation, installation, studio practice and performance. As a past facilitator of Artlaab, I have written this essay to question how its institutional conditions led to […]
Who said it? is a tweeted intervention drawing attention to how the language of the contemporary University is little different to the language of corporate marketing. Pivoting off the imperative that the University must ‘take its place’ in a marketised world, I tweet copy from University promotional material alongside that of merchant banks, real estate […]
Kym Maxwell is an artist and educator residing in the Kulin Nation of Naarm (Melbourne).
I studied in the original coloniser country, the United Kingdom. While I was there, I visited a lot of museums with stolen art and cultural objects. The first time I visited the British Museum I was overcome with rage and sadness. Back then, I was surprised at my strong reactions to material objects not from […]
The true believers are the ones who have faith in God and his Messenger and leave all doubt behind. The ones who have struggled with their possessions and their persons in Gods way: they are the ones who are true. Qur’an 49:15 The verse above belongs to a Qur’anic surah. It instructs believers on how […]
The white glove hovered momentarily over the ‘buy now’ button. One click away from souveniring a memento that might help it all click into place. The item in question: a pre-2001 Twin Tower snow dome, complete with an inauthentic looking Certificate of Authenticity. Once purchased it would make its way to my cache of accumulated […]
The disassembly of a skyscraper is a rare and expensive event. Counter-construction, or reverse building, methods precede often baroque permit requests and legal go aheads. In a sense, a building must be ‘re-cocooned’ in the very materials from which it sprung forth. Scaffolding is wrapped along the perimeter and façade of a structure destined for […]
In 2017, the City of Melbourne installed 190 public address speakers at ninety-five locations around the CBD. The speaker system quickly became known in the media as the city’s ‘terror sirens’. They were installed to counter the spectre of a mass incident, or a ‘class 3 emergency’—a siege, riot, shooting or vehicle attack. When signalling […]
Bah, I make circumstances!— Napoleon Our progress poisons the sources of our experience. And the poison tastes so sweet that it spoils our appetite for plain fact.— Daniel J. Boorstin, The Image: A Guide to Pseudo Events in America, 1962 The first American newspaper was published once a month in 1690, because there were only […]
The cartoon is a type of visual shorthand that says a lot about how we view ourselves and others. From one-off newspaper images to serialised comics, cartoons supply a pictorial genealogy of racist tropes that began in the eighteenth and nineteenth centuries and persist to the present day. Cartoons create meaning through the manipulation of […]
I’m just a singer of simple songs, I’m not a real political man. I watch CNN, but I’m not sure I can tell you the difference in Iraq and Iran. Alan Jackson, ‘Where Were You (When the World Stopped Turning)’ When kitsch aesthetics and moral conventions converge, we observe the emergence of kitsch ethics. This […]
History is the fruit of power, but power itself is never so transparent that its analysis becomes superfluous. The ultimate mark of power may be its invisibility; the ultimate challenge, the exposition of its roots.[^1]— Michel-Rolph Trouillot On 11 September 1973 the socialist president of Chile, Salvador Allende, was deposed and murdered in a military […]
In the 1980s, French philosopher Jean Baudrillard asked, ‘Why does the World Trade Center have two towers?’[^1] The towers functioned, before Nine Eleven, as parallel surfaces mirroring one another. They became a symbol for the irrelevance of difference in a post-political world where acts disappear without consequence. A one-dimensional society. The symbolic eliminates difference in […]
There is a tendency in contemporary life for artists, academics, authors and activists to view Nine Eleven as the beginning of the Western world’s demise into fragmented populist nationalisms, reigniting the Cold War by substituting ‘Islamic terrorism’ for ‘Russian communism’. Although there is some truth to this myth, there is a danger when projecting American […]
Behrouz Boochani is translated from Farsi by Dr. Omid Tofighian, American University in Cairo/ University of Sydney. Hoda Afshar : In our different areas, we both make connections between real and fictionalised events, partly in order to question through art-making how certain narrative-truths are constructed. History and poetry, documentary and staged images, combine in our […]
On 5 January 2019, members of the far-right gathered on the boardwalk of St Kilda Beach to ‘Reclaim the Beach’. Organised by known fascists Blair Cottrell and Neil Erikson, the ‘Reclaim the Beach’ rally claimed to be a response to recent incidents of mugging involving African young people in the Port Phillip Bay area. Attendees […]
‘Hey Muhammad, guess what time it is?’ The sound of multiple mobile phone alarms fill the room. It is first period and my eldest son is sitting in his Year 12 English class. As the only Muslim, he finds himself at the centre of a persistent morning ritual. His classmates have their alarms set to […]
The white glove hovered momentarily over the ‘buy now’ button. One click away from souveniring a memento that might help it all click into place. The item in question: a pre-2001 Twin Tower snow dome, complete with an inauthentic looking Certificate of Authenticity. Once purchased it would make its way to my cache of accumulated […]
Critical Dias : How do we start? Maybe we can talk about the last two years, in all of our lives! In the book Reinscriptions (2017) that we’ve just published, there are two main texts that we’ve been writing over the past two years, when concerns about machine learning and algorithmic tech and data have […]
Embittered Swish is a performance art vehicle founded in 2016 whose first project was a trans adaptation and reformulation of Jean Genet’s 1943 novel Our Lady of the Flowers. Embittered Swish works across a fine art, theatre and club context and has shown work at Performance Space (PACT), Transgenre, La Mama Courthouse, firstdraft gallery, Australian […]