un Projects is based on the unceded sovereign land and waters of the Wurundjeri and Boon Wurrung people of the Kulin Nation; we pay our respects to their Elders, past, present and emerging.
un Projects

Ellie Buttrose

Processing Disagreement: Part One, OtherFilm and Institute of Modern Art, 5 September 2013

Helen Johnson

Memory is not a recording device: on Eliza Hutchison’s Hair in the Gate, a biograph

In Australia, we struggle to insist on identity even as we are engulfed by the unrepresentable. I feel that this is a condition of being Australian. The moment we believe we have defeated the unrepresentable is the moment we have once again failed, retreating into construct only to await the next encroachment. Hutchison’s work is […]

Robert Shumoail-Albazi

Zoë Croggon, Pool, West Space, 19 July – 10 August 2013

The contradictory elements of dynamism at play throughout Zoë Croggon’s recent exhibition Pool at West Space, Melbourne, reflect an imitative relationship of both movement and stasis, often through the effective use of visual comparison. Comprising six collage prints fluently combining images of the human body in motion with architectural environments alongside a dance-based video piece, […]

Ian Haig

McCarthyism: Paul McCarthy, WS, The Armory, 19 June – 4 August 2013

The McCarthy era of post-war America in the late 1940s had its eyes firmly set on all things communist, as well as an Orwellian attitude towards subversive behavior. Namesake and bastard child of the era Paul McCarthy however, has his eyes set on all things perverse and fucked up in American culture. His massive exhibition […]

Julian Aubrey Smith

Leanne Hermosilla, Limited Visibility, Beam Contemporary, 8 June – 6 July 2013

Isabelle Sully

Kain Picken, Economy Class/Resort, West Space, 29 August – 14 September 2013

Chelsea Hopper

Georgia Kaw, Patrick Miller & Elizabeth Pulie, Loose Change Menu, Moana Project Space, 19 July – 23 August 2013

Loose Change Menu: an apt title for a rather ill fitting yet satisfying jumbled assortment of artworks. On the whole, it’s a haptic exhibition: giant poster prints of an old couch drape over the walls, literally spilling into the creative studios next door; an unearthed tennis pole from a game of swing ball is lounging […]

Lisa Radford

Information management: << . >> post-script: BORING BORING

1. Sampling I originally tried starting this with a quote from Kenneth Goldsmith quoting Douglas Huebler but, as you pointed out, we ended up trying to start at a dead-end. Misquoting it, re-opens it: the world is full of objects, more or less interesting.[^1] An updated notion of genius would have to centre around one’s […]

Danny Butt

Theses on art and knowledge

‘Knowledge’, as described by educational institutions, is disciplinary knowledge. There is no way to know how much knowledge is held in an object of knowledge (a report, for example) until one has done the work to understand how a field of knowledge is constructed. No report is self-authoring, containing all the knowledge needed to understand […]

Thomas Jeppe

The importance of being earnest while conducting nonsense research as strategic credibility mongering: a defence

Last year I spent a couple of days visiting a friend in Frankfurt. During this visit, I sat in on a class run by Michael Krebber at the local art school. Krebber is an artist known for his ambivalent, ironic and relatively antagonistic position, and his classes are known for being quite loose and free-form. […]

Dan Arps

Towards a positive cynicism

The late Giovanni Intra once wrote an article in the journal Art & Text about the contemporary Los Angeles sculptor Evan Holloway, telling a story about how the artist locked custom-made steel boxes over parking meters in the street outside his studio, with the title When Bad Attitude Becomes Form. The phrase has always struck […]

Matthew Shannon

Cloth of the world

The Mappa Mundi: an example from history of another internet. Although revolutionary in scope, the internet’s quest to amass knowledge into one repository isn’t a new idea. There is a lineage of both libraries and encyclopaedias stretching back to ancient times, for example the great library of Alexandria and Pliny’s Naturalis Historia, written in AD77. […]

Sophie Knezic

Doctor Doctor: The emergence of the practice-led PhD

The amalgamation of art schools into university frameworks over the past decade has meant a new development in advanced degrees; the birth of the studio-based Doctor of Philosophy (PhD). In many ways this was an inevitability, part of the increasing tertiary accreditation of visual arts/studio arts courses over the late twentieth century. In Australia, initially […]

Helen Grogan, Eugenia Lim & Elvis Richardson

Visible actions

Our conversation took place on Thursday 25 April 2013. Present were Elvis Richardson (artist, former director of Death Be Kind and editor of online blog CoUNTess), Helen Grogan (artist, curator, co-director of art space and curatorial project Open Archive) and Eugenia Lim (artist, co-director of Channels video art festival). The trio discussed tactics for negotiating […]

Harriet Kate Morgan

Conversation with a Head, Severed

Tom Ellard is a ‘musician’—a term he describes as ‘an old descriptor for a sound/video/interactive artist’. While it is hard to establish all aspects of his work briefly, Ellard is best known as founding member of electronic and industrial band Severed Heads (officially active from 1979 to 2008). For those wondering, think tape loops, discordant […]

Dan Rule

Ghost in the speakers: Interview with Philip Jeck

Mentioned in the same breath as anyone from Christian Marclay to David Shea and Grandmaster Flash, British avant-garde turntablist Philip Jeck has built an oeuvre via the act of pillaging, appropriating and manipulating a record collection that traverses a vast span of music history. But Jeck’s approach to records—and the devices he uses to extract […]

Helen Johnson

Is the research your practice, or is the practice your research?

The question of research in relation to practice is one that every artist undertaking a PhD must struggle with. Below is an attempt to lay out my own understanding of this relationship as I enter the Winter of the final six months of my PhD candidature at Monash University. For if, treating it [fine art] […]

Timothy McCool

Post-irony

Post-irony: the beginning One day, my roommate, who is not an artist, but is still interested in art, asked me to define my art practice. As I later retold our conversation to some art school friends, I noticed how I kept positioning my roommate as someone who is outside the art world, which simultaneously feels […]

Lauren Bliss

The university in the age of witchcraft

I was invited to deliver a paper on a panel of young researchers, editors and curators at Impresario: Paul Taylor | Art & Text | POPISM, Monash University, 1 September 2012, a forum held in honour of the work of the late Australian art critic Paul Taylor, founder and editor of Art & Text. This […]

Justin Clemens

No creation but through submission

Arts Research? WTF?! Who the hell would consider bringing together such antipodal signifiers unless they were a bureaucrat or a pervert or both? Under what institutional conditions could such a rebarbative oxymoron even make sense? Surely the term freights all sorts of seamy occlusions and destructions? But perhaps my surprise—even shock and horror—at the very […]

Kym Maxwell

Experience and perceptions of ‘children’s research’ and the educational turn

The child is a born researcher. —Loris Malaguzzi The term ‘educational turn’ is gaining momentum in contemporary arts theory. Artworks within the definition seek to transmit or create knowledge from and between an artwork and its participants, the knowledge often stems from other disciplines such as sociology, science, history and psychology. This desire to learn, […]

Aodan Madden & Beth Rose Caird

The whore’s hustler and the hustler’s whore: A speculative review of Melbourne Now

I feel I’m in a beautiful private garden, in the middle of the city. I look up and see all the buildings and the beautiful sculptures. On Tuesdays, when the gallery is closed, it really does become our private space. It’s that sense of privacy in a public environment that I enjoy.[^1] —Isobel Crombie Throughout […]

Anya Henis

Funny or serious? Not necessarily light material

Much of what I find funny in life emerges from the exhibitions I go to, so when the art’s humourless, I tend to feel a bit deflated. If work doesn’t have an element of humour in it, it’s hard for me to imagine the artist having any fun creating it, thus making it hard for […]

Helen Hughes

Sketching: Bodies in motion

Scanning the landscape of local contemporary art practices, the body in motion presents itself in a variety of different guises. As a doing-body that negotiates space in Bianca Hester’s constructed environments; a choreographed dancer’s body in Sriwhana Spong’s videos and collages; and a medium — literally, a communication vessel — in Adelle Mills’ short, edited […]

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