un Projects is based on the unceded sovereign land and waters of the Wurundjeri and Boon Wurrung people of the Kulin Nation; we pay our respects to their Elders past and present.
un Projects

J. Rosenbaum

The Future of Art: Collaborating with Computers

A new brain, a new way of thinking, a silicone mind fresh for moulding. Neural networks only know what they have been taught, a blank slate, a clean canvas. But they are so much more than just a surface or a new medium to explore; Artificial Intelligence (AI) is the future of art and offers […]

Blaklash Projects, people+artist+place

Public Art and the Politics of Surveillance

Marisa’s round table Annerley, Brisbane Amanda Hayman : This is the first time we’ve all been in the same room together, so I thought it would be good to start off with a little intro to the overarching project, Co-MMotion. Jenna Green : We established people+artist+place in 2017 because we wanted to see more live […]

Bhenji Ra

On Collaboration

I’ve been thinking a lot about how survival is often linked to collectivity, specifically for people of colour, specifically for myself as a trans person of colour who owes so much of my survival to the collectives I’ve belonged to and the communities that have held me. I often think about what it means to […]

Tāwhanga Nopera

Watch the stars – we navigate points of light in the dark

Whakapapa is generally translated as genealogy. Whakapapa can mean to lie flat, to place in layers, to recite in order; or considered in parts as ‘whaka’ – cause to be, to become; and ‘papa’ which can mean – the Earth, or anything broad flat and hard. In te reo Māori ‘papa’ has many meanings associated […]

Ellen O’Brien

Beyond Remembering: The Role of Memorialisation in Decolonisation

‘Did you know Barangaroo is named after a courageous and spirited Aboriginal woman?’ So says a section of the Barangaroo website titled ‘The Stories’, the question posed above an aerial image of a glass-walled building. Barangaroo is an urban redevelopment on the harbour of what is currently called Sydney; a place where the ‘past meets […]

Rebecca McCauley

Australian landscape photography: the colonial project, the panorama, its undoing

A sunset over gentle oceans~ Bondi Beach Awakening Time-lapse shot of a waterfall~ Caressing Waters (alternatively Majestic Beauty, or, Waters of Life) The still course of a waterway,mirroring the bushland above~ River Reflections Uluru during a storm, at sunrise~ Heartland Revival People want peace in their lives and in their surroundings and nothing delivers as […]

Natasha Matila-Smith

The quiet need no defence

We were trying to blast this myth that the non-Western Other exists in a time and place that is completely untouched by Western civilization or that in order to be authentic one would have to be devoid of characteristics associated with the West. It’s reasonable to say that non-Western cultures have a better understanding of […]

Kenzee Patterson

Log somewhat overshadowed by utilitarian roof structure

Beginning in March 2016, I undertook a two-year period of practice-led research as part of a Master of Fine Arts (MFA) research degree at Sydney College of the Arts. The origin of the research project lay in a self-reflexive inquiry into my attraction to working with steel and other metals in my art practice. Through […]

Susie Anderson

beyond rewriting the story achieving Indigenous sovereignty through Virtual Reality

Our knowledge of land as its own technology is second to none. Two hundred and thirty years of adapting as necessary, often as lives depended on it, has seen us turn to other mediums. We used the tools that arrived on boats. Our storytellers use English in literature, cameras in photography, film and many other […]

Julie Gough

The Traveller

Lately I’ve started driving around Tasmania again, making another film. Since 2009 I’ve made twenty-four of them, I can’t stop. Short, long, some seem unwatchable, nevertheless they record and become a record, a counter to so much that seems missing. They are my memory work. Sometimes it is hard to start, to reverse out of […]

Georgina Watson

Larks in the dawn

Georgina Watson currently lives in Tāmaki Makaurau and has recently completed an MFA at Elam School of Fine Arts. Recent projects include ‘Haughty Skies’ in Distracted Reader #3, Auckland, forthcoming (2018), Anxious Garden, Enjoy Gallery, Wellington (2017), Pack Lite Organised by Stella Corkery, NY, LA, Auckland (2017) ‘Collective Fruits’ in Wormhole, Melbourne (2016), amongst others. […]

Beth Sometimes and Lorrayne Gorey

Angkentye arle akngerrele

Lowlee: Can we just talk like now and you can record or…?  Beth: Yeah yeah yeah OK I’m recording now  Lowlee: Ye, kele.  Beth: Ye, ka…  Lowlee: Werte!  Beth (laughs): Werte! Ayenge Arrernte akweke ware akaltye-irre….ke, no – how do I say it in the past tense?  Lowlee: Ke  Beth: ke, akaltye-irreke, akweke ware, ke […]

un Projects

Singing the Archive – presenting Ara Irititja

What you are about to read is a demonstration of Ara Irititja given at the International Australian Studies Association (InASA) Conference in December 2016.[^1] In the darkened lecture theatre, a clip from the Ara Irititja archive is projected onto the wall. It shows old people including Rene Kulitja’s father Walter Pukutiwara performing inma at a […]

Fran Edmonds, Jessica Bennett and Lily Graham

‘Places’ of belonging: Korin Gamadji Institute, the Sovereignty exhibition and contemporary Aboriginal youth culture

In southeast Australia the Aboriginal population is young; more than fifty percent are under twenty-five-years old. Yet, Aboriginal young people in Victoria remain a minority within the broader community. Many have limited opportunities to engage in programs reflecting their everyday experiences or to identify with others from similar backgrounds. The following is a conversation between […]

Kate Leah Rendell

An unsettled Settler response to Open Cut

Settlers Miners Same Thing – Jacky Green Although I know Aboriginal sovereignty as always present, embedded within country, I find my strongest encounters with specific sovereignties of place often occur in unexpected moments – like a bolt of remembering – chanced upon in the presence of a scar tree or a reference found deep within […]

Lauren Burrow and Tristen Harwood

Forgetting Architecture and the new Aboriginal Kitsch

Between the subjugation and indifference of colonial governance, Ngurungaeta, William Barak leads the Wurundjeri people in a sustained decolonising movement, seeking land-rights at Coranderrk. They petition ministers, writing letters and walking to Melbourne to protest directly to the Premier. is goes on in the face of dispossession. And, in 1881 there is a rupture in […]

Genevieve Grieves

Connecting with wounded spaces

I have long been concerned with memories of colonial violence in the Australian landscape; places that have witnessed harm and continue to hold these traumatic memories in the present. Their existence was something I was attuned to as a child constantly travelling regional New South Wales with my family, visiting places and people, connecting with […]

Suzanne Kite

Who Believes in Indians?

American contemporary mythologies spring from American founding mythologies. The events of Columbus’ arrival, the American revolution, and the signing of the Constitution washed away terra nullius to reveal the American nation. The enduring desire to avoid facts or truths is evident in America today via the fervor for conspiracy theory.[^1] Nearly fifty per cent of […]

Ainslee Meredith

Deposits

The archive is built to keep out water. The archive is built on the edge of the floodplain of the Moonee Ponds Creek on the land of the Wurundjeri people of the Kulin Nation. Water is excluded from the archive because of the risks it poses to paper and other organic materials. Mould can germinate […]

Zara Sigglekow

Bad jibes: camp, humour, and taste in the art of Matthew Harris

Motifs in Matthew Harris’s lurid works include flowers, copulating pigs, and a gravestone inscribed with a gold sad face. Born in 1991 and raised in Wangaratta, Matthew’s artistic output to date has included video, tapestry, sculpture and painting. He works within a gay camp parlance. Artifice, riffs, cuteness, violence and comic eroticism come together in […]

Chiara Scafidi

It’s not humour it’s satire

We were sitting in a dark lecture theatre when it happened. I can’t believe it happened. My hand was raised. The moderator looked at me in acknowledgement. And then it happened. I asked Marcia Langton a question. I said, ‘Can you speak to the humour in Brook Andrew’s work?’ She replied with a deafening silence, […]

Alistair Baldwin

Australian art is already funny — we just need to add a laugh track

But that’s work that I’m doing. And if taking art out of an art gallery is a necessary step for me to enjoy myself, then surely that speaks more to a problem with galleries than anything else? What can art spaces actively do to meet us halfway? Certainly, the proper curation of comedy is a […]

Joel Stern

The joke that isn’t funny anymore

Experimental music desperately needs a turn to humour, satire, parody and, most of all, reflexivity, if it is to remain listenable. I can almost see this turn taking shape in the form of a long and unfolding joke. But, like any joke, the punchline can only work if you’re alive to the setup. I propose […]

Karrabing Film Collective

Growing up Karrabing: a conversation with Gavin Bianamu, Sheree Bianamu, Natasha Lewis Bigfoot, Ethan Jorrock and Elizabeth Povinelli

The Karrabing Film Collective (KAC) is a grassroots arts and film cooperative consisting of friends and family members whose lives interconnect along the coastal waters west of Darwin in the Northern Territory of Australia. Begun in 2008 when members of the extended family found themselves homeless in the wake of deteriorating conditions on their natal […]